2017
Cecilia Bartoli
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
Ines di Castro: Romanza “Cari giorni” (Ines)
Infelice, op. 94
El poeta calculista: “Yo que soy contrabandista”
La sonnambula: Atto II. “Ah, non credea mirarti”
La sonnambula: Atto II. “Ah, non giunge uman pensiero”
Air à la Tirolienne avec Variations
La figlia dell’aria: “E non lo vedo… Son regina”
Rataplan
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
I puritani: Atto II. "O rendetemi la speme"
I puritani: Atto II. “Vien, diletto, è in ciel la luna”
Clari: “Come dolce a me favelli”
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
Norma: Atto I. “Casta Diva”
The Maid of Artois – Yon Moon o’er the Mountains
Il barbiere di Siviglia: Overture / “Una voce poco fa”
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
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