The Collector’s Edition

Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself

Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative

Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations!

Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains

Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal

Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone

Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all

Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves

Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space

Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending

Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer

Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent

Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns

Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth

Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul!

Symphony no. 2, "A London Symphony": I. Lento - Allegro risoluto (molto pesante)

Symphony no. 2, "A London Symphony": II. Lento

Symphony no. 2, "A London Symphony": III. Scherzo (Nocturne): Allegro vivace

Symphony no. 2, "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto)

Symphony No. 8 in D minor: I. Fantasia: Variazioni senza tema

Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia

Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo

Symphony No. 8 in D minor: IV. Toccata: Moderato maestoso

A Pastoral Symphony: I. Molto moderato

A Pastoral Symphony: II. Lento moderato

A Pastoral Symphony: III. Moderato pesante

A Pastoral Symphony: IV. Lento

Symphony no. 4: I. Allegro

Symphony no. 4: II. Andante moderato

Symphony no. 4: III. Scherzo (Allegro molto)

Symphony no. 4: IV. Finale (Allegro molto) con epilogo fugato (Con anima)

Concerto for Oboe & Strings: Rondo Pastorale (Allegro moderato)

Concerto for Oboe & Strings: Minuet & Musette (Allegro moderato)

Concerto for Oboe & Strings: Finale (Scherzo) (Presto)

Symphony no. 5 in D major: I. Preludio (Moderato)

Symphony no. 5 in D major: II. Scherzo (Presto misterioso)

Symphony no. 5 in D major: III. Romanza (Lento)

Symphony no. 5 in D major: IV. Passacaglia (Moderato)

Symphony no. 6 in E minor: I. Allegro

Symphony no. 6 in E minor: II. Moderato

Symphony no. 6 in E minor: III. Scherzo (Allegro vivace)

Symphony no. 6 in E minor: IV. Epilogue (Moderato)

Symphony no. 9 in E minor: I. Moderato maestoso

Symphony no. 9 in E minor: II. Andante sostenuto

Symphony no. 9 in E minor: III. Scherzo (Allegro pesante)

Symphony no. 9 in E minor: IV. Andante tranquillo

Serenade to Music (choral version)

Partita for Double String Orchestra: I. Prelude: Andante tranquillo

Partita for Double String Orchestra: II. Scherzo ostinato: Presto

Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall): Andante con moto

Partita for Double String Orchestra: IV. Fantasia: Allegro

Symphony no. 7 “Sinfonia antartica”: I. Prelude: Andante maestoso

Symphony no. 7 “Sinfonia antartica”: II. Scherzo: Moderato

Symphony no. 7 “Sinfonia antartica”: III. Landscape: Lento

Symphony no. 7 “Sinfonia antartica”: IV. Intermezzo: Andante sostenuto

Symphony no. 7 “Sinfonia antartica”: V. Epilogue: Alla marcia moderato, non troppo allegro

The Wasps - Aristophanic Suite: I. Overture

The Wasps - Aristophanic Suite: II. Entr'acte

The Wasps - Aristophanic Suite: III. March Past of the Kitchen Utensils

The Wasps - Aristophanic Suite: IV. Entr'acte

The Wasps - Aristophanic Suite: V. Ballet and Final Tableau

Prelude and Fugue in C minor: I. Prelude

Prelude and Fugue in C minor: II. Fugue

Piano Concerto in C: I. Toccata: Allegro moderato

Piano Concerto in C: II. Romanza: Lento

Piano Concerto in C: IIIa. Fuga cromatica (Allegro)

Piano Concerto in C: IIIb. con finale alla tedesca

Concerto in C for Two Pianos and Orchestra: I. Toccata (Allegro moderato)

Concerto in C for Two Pianos and Orchestra: II. Romanza (Lento)

Concerto in C for Two Pianos and Orchestra: IIIa. Fuga chromatica (Allegro) -

Concerto in C for Two Pianos and Orchestra: IIIb. Finale alla tedesca

Job: A Masque for Dancing: Scene I: Introduction

Job: A Masque for Dancing: Scene I: Saraband of the Sons of God

Job: A Masque for Dancing: Scene II: Satan's Dance of Triumph

Job: A Masque for Dancing: Scene III: Minuet of the Sons of Job and their Wives

Job: A Masque for Dancing: Scene IV: Jobs' Dream

Job: A Masque for Dancing: Scene V: Dance of the Three Messengers

Job: A Masque for Dancing: Scene VI: Dance of Job's Comforters

Job: A Masque for Dancing: Scene VII: Eihu's Dance of Youth and Beauty

Job: A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning

Job: A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning

Job: A Masque for Dancing: Scene VIII: Altar Dance

Job: A Masque for Dancing: Scene IX: Epilogue

Serenade to Music

English Folk Song Suite: I. March (Seventeen Come Sunday)

English Folk Song Suite: II. Intermezzo (My Bonny Boy)

English Folk Song Suite: III. March (Folk Songs from Somerset)

Norfolk Rhapsody no. 1

Fantasia on “Greensleeves”

In the Fen Country

The Lark Ascending

Fantasia on a Theme by Thomas Tallis

Sea Songs - March

English Folk Songs - Suite (Wind ensemble version): I. March "Seventeen Come Sunday"

English Folk Songs - Suite (Wind ensemble version): II. Intermezzo "My Bonny Boy"

English Folk Songs - Suite (Wind ensemble version): III. March "Folk Songs from Somerset"

Dawn Patrol (from the film Coastal Command)

Concerto grosso: I. Intrada: Largo

Concerto grosso: II. Burlesca ostinato: Allegro moderato

Concerto grosso: III. Sarabande: Lento

Concerto grosso: IV. Scherzo: Allegro, tempo di valse

Concerto grosso: V. March (A la marcia) and Reprise

Romance in D flat for harmonica with strings and piano

Tuba Concerto in F minor: I. Prelude: Allegro moderato

Tuba Concerto in F minor: II. Romanza: Andante sostenuto

Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro)

Serenade to Music (orchestral version)

The Poisoned Kiss - Overture

Old King Cole - A Ballet for Orchestra: I. Allegro moderato

Old King Cole - A Ballet for Orchestra: II. Pipe dance

Old King Cole - A Ballet for Orchestra: III. Bowl dance

Old King Cole - A Ballet for Orchestra: IV. Morris Jig "Go and 'list for a sailor"

Old King Cole - A Ballet for Orchestra: V. Folk Song "A Bold Young Farmer"

Old King Cole - A Ballet for Orchestra: VI. Folk Song "The Jolly Thresherman"

Old King Cole - A Ballet for Orchestra: VII. Solo Jig

Five Mystical Songs: I. Easter

Five Mystical Songs: II. I got me flowers

Five Mystical Songs: III. Love bade me welcome

Five Mystical Songs: IV. The Call

Five Mystical Songs: V. Antiphon

Prelude on an Old Carol Tune

The Running Set

Prelude: 49th Parallel

Sea Songs - March (orchestral version)

Variations for Orchestra: Theme: Andante maestoso

Variations for Orchestra: I. Poco tranquillo

Variations for Orchestra: II. Tranquillo cantabile

Variations for Orchestra: III. Allegro

Variations for Orchestra: IV. Canon (Allegro)

Variations for Orchestra: V. Moderato sostenuto

Variations for Orchestra: VI. Tempo di valse

Variations for Orchestra: VII. Arabesque (Andante sostenuto)

Variations for Orchestra: VIII. Alla polacca

Variations for Orchestra: IX. Adagio

Variations for Orchestra: X. Fugato (Allegro moderato e risoluto)

Variations for Orchestra: XI. Chorale

Two Hymn-Tune Preludes: I. Eventide

Two Hymn-Tune Preludes: II. Dominus regit me

Concerto accademico for violin and strings in D minor: I. Allegro pesante

Concerto accademico for violin and strings in D minor: II. Adagio

Concerto accademico for violin and strings in D minor: III. Presto

Three Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre

Three Preludes Founded on Welsh Hymn Tunes: III. Hyfrydol

String Quartet no. 1 in G minor: I. Allegro moderato

String Quartet no. 1 in G minor: II. Minuet and Trio: Tempo di minuetto

String Quartet no. 1 in G minor: III. Romance: Andante sostenuto

String Quartet no. 1 in G minor: IV. Finale: Rondo capriccioso (Allegro molto - Pochettino più mosso)

Violin Sonata in A minor: I. Fantasia

Violin Sonata in A minor: II. Scherzo

Violin Sonata in A minor: III. Tema con variazioni

Phantasy Quintet: I. Prelude

Phantasy Quintet: II. Scherzo

Phantasy Quintet: III. Alla sarabanda

Phantasy Quintet: IV. Burlesca

Six Studies in English Folk-Song: I. Adagio

Six Studies in English Folk-Song: II. Andante sostenuto

Six Studies in English Folk-Song: III. Larghetto

Six Studies in English Folk-Song: IV. Lento

Six Studies in English Folk-Song: V. Andante tranquillo

Six Studies in English Folk-Song: VI. Allegro vivace

String Quartet no. 2 in A minor "For Jean on her Birthday": I. Prelude

String Quartet no. 2 in A minor "For Jean on her Birthday": II. Romance

String Quartet no. 2 in A minor "For Jean on her Birthday": III. Scherzo

String Quartet no. 2 in A minor "For Jean on her Birthday": IV. Epilogue: Greetings from Joan to Jean

Toward the Unknown Region

Dona nobis pacem: I. "Agnus Dei" (lento)

Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato)

Dona nobis pacem: III. Reconciliation (andantino)

Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia

Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo)

Dona nobis pacem: VI. "O Man Greatly Beloved"

Fantasia (quasi variazione) on the Old 104th Psalm Tune

Magnificat

An Oxford Elegy: I. Lento

An Oxford Elegy: II. "Go, for they call you, Shepherd"

An Oxford Elegy: III. "Here will I sit and wait"

An Oxford Elegy: IV. "Screen'd is this nook"

An Oxford Elegy: V. "That sweet city"

An Oxford Elegy: VI. "Come, let me read"

An Oxford Elegy: VII. "Or in my boat I lie"

An Oxford Elegy: VIII. "And once, in winter"

An Oxford Elegy: IX. "But what - I dream!"

An Oxford Elegy: X. "No, no, thou has not felt"

An Oxford Elegy: XI. "Runs it not here"

An Oxford Elegy: XII. "Needs must I, with heavy heart"

An Oxford Elegy: XIII. "Soon will the high Midsummer pomps"

An Oxford Elegy: XIV. "He hearkens not!"

An Oxford Elegy: XV. "Never more"

An Oxford Elegy: XVI. "Yes, thou art gone!"

An Oxford Elegy: XVII. "Despair will I not"

An Oxford Elegy: XVIII. "Why faintest thou?"

Three Choral Hymns: Whitsunday Hymn

Flos campi: I. Lento "Sicut Lilium inter spinas"

Flos campi: II. Andante con moto "Jam enim hiems transiit"

Flos campi: III. Lento - Allegro moderato "Quaesivi quem diligit anima mea"

Flos campi: IV. Moderato alla marcia "En lectulum Salomonis"

Flos campi: V. Andante quasi lento "Revertere, revertere Sulamitis!"

Flos campi: VI. Moderato tranquillo "Pone me ut signaculum"

Sancta civitas (The Holy City): I. Lento "I was in the spirit"

Sancta civitas (The Holy City): II. Allegro "And I saw Heaven opened"

Sancta civitas (The Holy City): III. Meno mosso "And I saw an angel standing in the sun"

Sancta civitas (The Holy City): IV. Lento "Babylon the great is fallen"

Sancta civitas (The Holy City): V. Allegro moderato "Rejoice over her O Heavens"

Sancta civitas (The Holy City): VI. Adagio "And I saw a new heaven"

Sancta civitas (The Holy City): VII. Poco meno largo "Therefore are they before the throne of God"

Sancta civitas (The Holy City): IX. "And I saw a pure river"

Sancta civitas (The Holy City): X. Andante sostenuto "Holy, Holy, Holy"

Sancta civitas (The Holy City): XI. Poco animato "Heaven and earth are full of Thy glory"

Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming"

Five Tudors Portraits: II. Intermezzo "My Pretty Bess"

Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss"

Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)"

Five Tudors Portraits: V. Scherzo "Jolly Rutterkin"

Benedicite

Five Variants of "Dives and Lazarus"

Fantasia on Christmas Carols: This Is the Truth Sent From Above-

Fantasia on Christmas Carols: Come All You Worthy Gentlemen-

Fantasia on Christmas Carols: On Christmas Night All Christians Sing-

Fantasia on Christmas Carols: God Bless the Ruler of This House

Hodie: I. Prologue: Nowell! Nowell!

Hodie: II. Narration: Now the Birth of Jesus Christ

Hodie: III. Song: It Was the Winter Wild

Hodie: IV. Narration: And It Came to Pass in Those Days

Hodie: V. Choral: The Blessed Son of God

Hodie: VI. Narration: And There Were in the Same Country

Hodie: VII. Song: The Oxen (Christmas Eve, and Twelve of the Clock)

Hodie: VIII. Narration: And the Shepherds Returned

Hodie: IX. Pastoral: The Shepherds Sing

Hodie: X. Narration: But Mary Kept All These Things

Hodie: XI. Lullaby: Sweet Was the Song the Virgin Sang

Hodie: XII. Hymn: Bright Portals of the Sky

Hodie: XIII. Narration: Now When Jesus Was Born

Hodie: XIV. The March of the Three Kings: From Kingdoms of Wisdom

Hodie: XV. Choral: No Sad Thought His Soul Affright

Hodie: XVI. Epilogue: In the Beginning Was the Word

Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above"

Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen"

Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing"

Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house"

Yorkshire Wassail Song (We've been awhile a-wandering)

In Windsor Forest: I. The Conspiracy

In Windsor Forest: II. Drinking Song

In Windsor Forest: III. Falstaff and the Fairies

In Windsor Forest: IV. Wedding Chorus

In Windsor Forest: V. Epilogue

Songs of Travel (orchestral version): I. "The Vagabond"

Songs of Travel (orchestral version): II. "Let beauty awake"

Songs of Travel (orchestral version): III. "The Roadside Fire"

Songs of Travel (orchestral version): IV. "Youth and Love"

Songs of Travel (orchestral version): V. "In Dreams"

Songs of Travel (orchestral version): VI. "The infinite shining heavens"

Songs of Travel (orchestral version): VII. "Whither must I wander"

Songs of Travel (orchestral version): VIII. "Bright is the ring of words"

Songs of Travel (orchestral version): IX. "I have trod the upward and the downward slope"

On Wenlock Edge: I. "On Wenlock Edge"

On Wenlock Edge: II. "From far, from eve and morning"

On Wenlock Edge: III. "Is my team ploughing"

On Wenlock Edge: IV. "Oh, when I was in love with you"

On Wenlock Edge: V. "Bredon Hill"

On Wenlock Edge: VI. "Clun"

O clap your hands (Psalm 47)

Mass in G minor: I. Kyrie

Mass in G minor: II. Gloria

Mass in G minor: III. Credo

Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II

Mass in G minor: V. Agnus Dei

All people that on earth do dwell (The Old Hundredth)

O taste and see (Psalm 34)

Te Deum in G

For all the saints (Sine nomine)

Three Preludes Founded on Welsh Hymn Tunes: I. "Bryn Calfaria"

Three Preludes Founded on Welsh Hymn Tunes: II. "Rhosymedre"

Three Preludes Founded on Welsh Hymn Tunes: III. "Hyfrydol"

The Truth from Above

O Little Town of Bethlehem

Joseph and Mary

And All in the Morning

Alleluya, sing to Jesus (Hyfrydol)

Come Down, O Love Divine

All People That on Earth Do Dwell

Four Hymns: I. Lord! come away!

Four Hymns: II. Who is this fair one?

Four Hymns: III. Come Love, come Lord

Four Hymns: IV. Evening Hymn

Merciless Beauty: I. Your eyën two

Merciless Beauty: II. So hath your beauty

Merciless Beauty: III. Since I from Love

The Water Mill

The New Ghost

Ten Blake Songs: I. Infant Joy

Ten Blake Songs: II. A Poison Tree

Ten Blake Songs: III. The Piper

Ten Blake Songs: IV. London

Ten Blake Songs: V. The Lamb

Ten Blake Songs: VI. The Shepherd

Ten Blake Songs: VII. Ah, Sun-flower!

Ten Blake Songs: VIII. Cruelty has a human heart

Ten Blake Songs: IX. The Divine Image

Ten Blake Songs: X. Eternity

On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge

On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning

On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing

On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you

On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill

On Wenlock Edge (voice, string quartet and piano version): VI. Clun

The House of Life: I. Love-Sight

The House of Life: II. Silent Noon

The House of Life: III. Love's Minstrels

The House of Life: IV. Heart's Haven

The House of Life: V. Death in Love

The House of Life: VI. Love's Last Gift

Songs of Travel: I. The Vagabond

Songs of Travel: II. Let beauty awake

Songs of Travel: III. The Roadside Fire

Songs of Travel: IV. Youth and Love

Songs of Travel: V. In Dreams

Songs of Travel: VI. The infinite shining heavens

Songs of Travel: VII. Whither must I wander

Songs of Travel: VIII. Bright is the ring of words

Songs of Travel: IX. I have trod the upward and the downward slope

Linden Lea

Joy, shipmate, joy!

A Clear Midnight

Orpheus with his lute (first setting)

Hands, eyes and heart

Rest

Five Mystical Songs: The Call

Linden Lea (choral version)

Five English Folk Songs: I. The Dark-Eyed Sailor

Five English Folk Songs: II. The Spring Time of the Year

Five English Folk Songs: III. Just as the Tide was Flowing

Five English Folk Songs: IV. The Lover's Ghost (Well met, my own true love)

Five English Folk Songs: V. Wassail Song

Bushes and Briars

Loch Lomond

John Dory

Greensleeves

Ward, the Pirate

Ca' the Yowes

The Unquiet Grave

The Seeds of Love

Early in the Spring

The Turtle Dove

An Acre of Land

Bushes and Briars (men's voices version)

Five English Folk Songs: V. Wassail Song (men's voices version)

East Anglia: The Captain's Apprentice

East Anglia: As I walked out

East Anglia: Bushes and Briars

East Anglia: Geordie

East Anglia: On Board a Ninety-Eight

Wessex: The Ploughman

Wessex: The Brewer

Wessex: Rolling in the Dew

Carols: The Truth Sent from Above

Carols: Joseph and Mary

Carols: The Saviour's Love

France: Réveillez-vous, Piccars

France: Chanson de quête

France: Ballade de Jésus Christ

Newfoundland: She's like the swallow

Newfoundland: The Morning Dew

Newfoundland: The Maiden's Lament

Newfoundland: The Cuckoo

Voice & violin (violin & piano): The Lawyer

Voice & violin (violin & piano): Searching for Lambs

Voice & violin (violin & piano): How cold the wind doth blow (or The Unquiet Grave)

A Song of Thanksgiving

Epithalamion: I. Prologue (chorus)

Epithalamion: II. Wake now (baritone, chorus)

Epithalamion: III. The Calling of the Bride (chorus)

Epithalamion: IV. The Minstrels (chorus)

Epithalamion: V. Procession of the Bridge (chorus)

Epithalamion: VI. The Temple Gates (chorus)

Epithalamion: VII. The Bell Ringers (chorus)

Epithalamion: VIII. The Lover's Song (baritone, chorus)

Epithalamion: IX. The Minstrel's Song (baritone, chorus)

Epithalamion: X. Song of the Winged Loves

Epithalamion: XI. Prayer to Juno (baritone, chorus)

Riders to the Sea: “Where is she?” (Nora, Cathleen, Maurya)

Riders to the Sea: “Where is the bit of new rope” (Bartley, Cathleen, Nora, Maurya)

Riders to the Sea: “Wait, Nora” (Cathleen, Nora, Maurya)

Riders to the Sea: “You didn't give him his bit of bread?” (Cathleen, Maurya, Nora)

Riders to the Sea: “Bartley will be lost now” (Maurya, Women, Nora, Cathleen, A Woman)

Riders to the Sea: “They are all gone now” (Maurya, Women, Nora, Cathleen)

Hugh the Drover or Love in the Stocks: Act I. (Allegro vivacissimo) - “Buy, buy, buy” (Cheap-Jack)

Hugh the Drover or Love in the Stocks: Act I. “Cold blows the wind on Cotsall” (Showman)

Hugh the Drover or Love in the Stocks: Act I. “As I was a walking” (Ballad Seller)

Hugh the Drover or Love in the Stocks: Act I. “Show me a richer man” (John)

Hugh the Drover or Love in the Stocks: Act I. “Here come the Morris Men” (Chorus)

Hugh the Drover or Love in the Stocks: Act I. “Life must be full of care” (Aunt Jane)

Hugh the Drover or Love in the Stocks: Act I. “Sweet little linnet that longs to be free” (Hugh)

Hugh the Drover or Love in the Stocks: Act I. “Horse-hoofs, horse-hoofs, thunder down the valleys” (Hugh)

Hugh the Drover or Love in the Stocks: Act I. “In the night-time I have seen you riding” (Mary)

Hugh the Drover or Love in the Stocks: Act I. “Mary! Mary!” (Constable)

Hugh the Drover or Love in the Stocks: Act I. “Oh! The devil and Bonyparty” (Showman)

Hugh the Drover or Love in the Stocks: Act I. “Yes, I!” (Hugh)

Hugh the Drover or Love in the Stocks: Act I. “Are you ready? Go!” (Showman)

Hugh the Drover or Love in the Stocks: Act I. “The drover's won!” (Showman)

Hugh the Drover or Love in the Stocks: Act I. “I tell you there's a price on this man's head” (Constable)

Hugh the Drover or Love in the Stocks: Act II. (Lento moderato) - “Past four o'clock” (Ballad Seller)

Hugh the Drover or Love in the Stocks: Act II. “Gaily I go to die” (Hugh)

Hugh the Drover or Love in the Stocks: Act II. “Hugh!” … “Mary!” (Mary, Hugh)

Hugh the Drover or Love in the Stocks: Act II. “Sweet little home” (Mary)

Hugh the Drover or Love in the Stocks: Act II. “Where's she gone to?” (Constable)

Hugh the Drover or Love in the Stocks: Act II. “Here, queen uncrowned” (Mary)

Hugh the Drover or Love in the Stocks: Act II. “A trollop from the stocks” (John)

Hugh the Drover or Love in the Stocks: Act II. “Dropped from the ranks on a winter's night” (Sergeant)

Hugh the Drover or Love in the Stocks: Act II. “March away, John!” (Chorus)

Hugh the Drover or Love in the Stocks: Act II. “O foolish girl, O radiant soul!” (Hugh)

Hugh the Drover or Love in the Stocks: Act II. “Oh! the sky shall be our roof” (Hugh, Mary)

Sir John in Love: Act I. (Allegro vivace) - “What-hoa!” (Shallow, Evans, Slender, Page)

Sir John in Love: Act I. “How now, Master Shallow” (Falstaff, Shallow, Slender, Bardolph, Pistol, Page, Nym)

Sir John in Love: Act I. “O heavens, this is Mistress Anne Page” (Slender, Page, Falstaff, Shallow, Evans, Simple, Anne)

Sir John in Love: Act I. “Ahem…I had rather than forty shillings” (Anne, Slender)

Sir John in Love: Act I. “Weep eyes, break heart” (Anne)

Sir John in Love: Act I. “Do but look on her eyes now” (Fenton, Anne)

Sir John in Love: Act I. “I see I cannot get thy father's love” (Fenton, Anne Page)

Sir John in Love: Act I. “Vere is dat knave Rugby?” (Caius, Rugby, Simple, Mrs Quickly)

Sir John in Love: Act I. “I will myself marry Anne Page” (Caius, Mrs Quickly, Rugby, Fenton)

Sir John in Love: Act I. “Master Fenton, I'll be sworn she loves you” (Mrs Quickly, Fenton, Bardolph, Nym, Pistol, Host)

Sir John in Love: Act I. “Back and side go bare” (Bardolph, Nym, Pistol, Host, Falstaff)

Sir John in Love: Act I. “I spy entertainment in her” (Falstaff, Pistol, Nym, Bardolph, Host)

Sir John in Love: Act I. “Wilt thou revenge?” (Pistol, Nym, Ford)

Sir John in Love: Act I. “Love my wide? I will be patient” (Ford)

Sir John in Love: Act I. “When daisies pied and violets blue” (Mrs Ford, Mrs Page, Ford)

Sir John in Love: Act II, Scene 1. (Allegro moderato e maestoso)

Sir John in Love: Act II, Scene 1. “Thine own true knight” (Mrs Page, Mrs Ford)

Sir John in Love: Act II, Scene 1. “Ask me no reason why I love you” (Mrs Page, Mrs Ford, Mrs Quickly)

Sir John in Love: Act II, Scene 1. “Sigh no more ladies” (Mrs Quickly, Mrs Page, Mrs Ford)

Sir John in Love: Act II, Scene 1. (Maestoso)

Sir John in Love: Act II, Scene 2. “Bardolph, Bardolph, I say!” (Falstaff, Bardolph)

Sir John in Love: Act II, Scene 2. “Give you worship good morrow” (Mrs Quickly, Falstaff)

Sir John in Love: Act II, Scene 2. “O that joy so soon should waste!” (Falstaff)

Sir John in Love: Act II, Scene 2. “There's one Master Brook below” (Bardolph, Falstaff, Ford)

Sir John in Love: Act II, Scene 2. “I have long loved her” (Ford, Falstaff)

Sir John in Love: Act II, Scene 2. “The dew that lies on roses” (Falstaff, Ford)

Sir John in Love: Act II, Scene 2. “Vere is mine host of de Garter?” (Caius, Host, Slender, Shallow, Page, Ford)

Sir John in Love: Act II, Scene 2. (Maestoso)

Sir John in Love: Act III, Scene 1: Interlude. (Andante moderato)

Sir John in Love: Act III, Scene 1: Interlude. “Yet hear me speak” (Fenton, Host, Chorus, Anne)

Sir John in Love: Act III, Scene 1: Interlude. “Beauty clear and fair” (Fenton, Chorus, Anne)

Sir John in Love: Act III, Scene 1: Interlude. “Fair and fair and twice so fair” (Chorus, Fenton, Anne, Host)

Sir John in Love: Act III, Scene 1: Interlude. “But listen, good mine host” (Anne, Chorus, Host, Fenton)

Sir John in Love: Act III, Scene 1: Interlude. “I mun be married a Sunday” (Host, Chorus, Anne, Fenton)

Sir John in Love: Act III, Scene 2. (Lento) - “When as we sat in Papylon” (Evans, Simple)

Sir John in Love: Act III, Scene 2. “How now, Master Parson” -

Sir John in Love: Act III, Scene 2. “Peace, I say!” (Shallow, Page, Slender, Evans, Host, Caius, Simple, Rugby, Ford)

Sir John in Love: Act III, Scene 2. “When I was a bachelor” (Host, Omnes except Slender and Ford)

Sir John in Love: Act III, Scene 2. (Allegro)

Sir John in Love: Act III, Scene 3. “What, John! What, Robert!” (Mrs Ford, Mrs Page, John & Robert, Mrs Quickly)

Sir John in Love: Act III, Scene 3. “Alas my love, you do me wrong” (Mrs Ford, Falstaff)

Sir John in Love: Act III, Scene 3. “Have I caught my heavenly jewel” (Falstaff, Mrs Ford)

Sir John in Love: Act III, Scene 3. “Mistress Ford! Mistress Ford!” (Mrs Quickly, Falstaff, Mrs Ford, Mrs Page)

Sir John in Love: Act III, Scene 3. “When I was a bachelor” (Chorus of Men, Mrs Ford, Ford, Robert, Page)

Sir John in Love: Act III, Scene 3. “Nay, follow him, gentlemen” (Page, Mrs Page, Mrs Ford, Ford, Evans, Caius, Slender, Shallow, Host, Pistol, Bardolph, Nym)

Sir John in Love: Act III, Scene 3. “Mistress Page!… Mistress Page!” (Ford, Page, Mrs Page, Host, Caius, Chorus)

Sir John in Love: Act IV, Scene 1. (Andante piacevole)

Sir John in Love: Act IV, Scene 1. “Pardon me, wife” (Ford, Mrs Ford, Page, Mrs Page, Evans)

Sir John in Love: Act IV, Scene 1. “There is an old tale goes” (Mrs Page, Page, Mrs Ford, Ford)

Sir John in Love: Act IV, Scene 1. “Trib, fairies, trib… Round about in a fair ring-a” (Evans, Chorus of Fairies, Mrs Page, Page, Caius, Slender, Evans, Mrs Ford)

Sir John in Love: Act IV, Scene 1. (Lento moderato [Greensleeves])

Sir John in Love: Act IV, Scene 2. (Vivace)

Sir John in Love: Act IV, Scene 2. “The Windsor, bell hath struck twelve” (Falstaff, Mrs Ford, Mrs Page, Chorus of Fairies)

Sir John in Love: Act IV, Scene 2. “Oo! Oo! … Fairies black, grey, green and white” (Chorus, Anne, Falstaff, Mrs Quickly)

Sir John in Love: Act IV, Scene 2. Dance of the Fairies (Allegro pesante) - “But stay! I smell a man of middle earth” (Evans, Falstaff, Host, Pistol, Chorus, Bardolph, Nym, Mrs Quickly)

Sir John in Love: Act IV, Scene 2. “Pinch him, pinch him black and blue” (Chorus, Falstaff)

Sir John in Love: Act IV, Scene 2. (Moderato) - “Nay, do not fly” (Page, Mrs Page, Ford, Mrs Ford, Host, Nym, Bardolph, Pistol, Mrs Quickly, Evans, Falstaff, Shallow, Slender, Simple, Caius)

Sir John in Love: Act IV, Scene 2. “See the chariot at hand” (Chorus, Fenton, Page, Anne, Falstaff, Ford, Mrs Page, Mrs Ford)

Sir John in Love: Act IV, Scene 2. “Whether men do laugh or weep” (Falstaff, Omnes)

Sir John in Love: Act IV, Scene 2. Dance (Presto)

The Pilgrim's Progress: Prologue: Bunyan in Prison (Bunyan, Pilgrim)

The Pilgrim's Progress: Act I, Scene 1: The Pilgrim meets Evangelist (Pilgrim, Evangelist, Pliable, Timorous, Obstinate, Mistrust)

The Pilgrim's Progress: Act I, Scene 2: The House Beautiful (Pilgrim, Shining Ones, Interpreter, Chorus)

The Pilgrim's Progress: Act I. Nocturne (Intermezzo) (Watchful)

The Pilgrim's Progress: Act II, Scene 1: The Arming of the Pilgrim (Herald, Pilgrim, Chorus)

The Pilgrim's Progress: Act II, Scene 2: The Pilgrim meets Apollyon (Apollyon, Doleful Creatures, Pilgrim, Branch Bearer, Cup Bearer, Evangelist)

The Pilgrim's Progress: Act III, Scene 1: Vanity Fair. “Buy! What will ye buy?” (Lord Lechery, Pilgrim, Demas, Judas Iscariot, Simon Magus, Worldly Glory, Madam Bubble, Madam Wanton, Chorus)

The Pilgrim's Progress: Act III, Scene 1: Vanity Fair. “I buy the truth!” (Pilgrim, Pontius Pilate, Usher, Lord Hate-Good, Envy, Superstition, Pickthank, Malice, Lord Lechery, Chorus)

The Pilgrim's Progress: Act III, Scene 2: The Pilgrim in Prison (Pilgrim)

The Pilgrim's Progress: Act IV, Scene 1: The Pilgrim meets Mister By-Ends (Boy, Pilgrim, Mister By-Ends, Madam By-Ends)

The Pilgrim's Progress: Act IV. Entr'acte

The Pilgrim's Progress: Act IV, Scene 2: The Delectable Mountains. “Who so dwelleth” (Shepherds, Pilgrim)

The Pilgrim's Progress: Act IV, Scene 2: The Delectable Mountains. “The Lord is my Shepherd” (Voice of a Bird, Pilgrim, Shepherds, Messenger)

The Pilgrim's Progress: Act IV, Scene 3: The Pilgrim reaches the end of his journey (Voices from Heaven, Pilgrim)

The Pilgrim's Progress: Act IV. Epilogue (Bunyan)

The Pilgrim's Progress (Sir Adrian in rehearsal): Act III, Scene 1 (Vanity Fair)

The Pilgrim's Progress (Sir Adrian in rehearsal): Act I. Nocturne

The Pilgrim's Progress (Sir Adrian in rehearsal): Act IV, Scene 1 (Mister By-Ends)

The Pilgrim's Progress (Sir Adrian in rehearsal): Act IV, Scene 2 (The Shepherds)

The Pilgrim's Progress (Sir Adrian in rehearsal): Act II, Scene 1 (The Arming of the Pilgrim)