Boston Symphony Orchestra
Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé
Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement
Nocturnes, L 91: 3. Sirènes. Modérément animé
Daphnis et Chloé , M. 57b, Fragments symphoniques (2ᵉ série) : 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé
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Pavane pour une Infante Défunte
Le Poème de L'extase, op. 54
Symphony no. 1 in G minor, op. 13 “Winter Reveries”: I. Daydream on a Wintry Road - Allegro tranquillo
Symphony no. 1 in G minor, op. 13 “Winter Reveries”: II. O land of gloom - Andante cantabile ma non troppo
Symphony no. 1 in G minor, op. 13 “Winter Reveries”: III. Scherzo. Allegro scherzando giocoso
Symphony no. 1 in G minor, op. 13 “Winter Reveries”: IV. Finale. Andante lugubre - Allegro moderato - Allegro maestoso - Andante lugubre - Allegro vivo
Also sprach Zarathustra: 1. Einleitung
Also sprach Zarathustra: 2. Von den Hinterweltlern
Also sprach Zarathustra: 3. Von der großen Sehnsucht
Also sprach Zarathustra: 4. Von den Freuden und Leidenschaften
Also sprach Zarathustra: 5. Das Grablied
Also sprach Zarathustra: 6. Von der Wissenschaft
Also sprach Zarathustra: 7. Der Genesende
Also sprach Zarathustra: 8. Das Tanzlied
Also sprach Zarathustra: 9. Nachtwandlerlied
The Planets, op. 32: 1. Mars, the Bringer of War
The Planets, op. 32: 2. Venus, the Bringer of Peace
The Planets, op. 32: 3. Mercury, the Winged Messenger
The Planets, op. 32: 4. Jupiter, the Bringer of Jollity
The Planets, op. 32: 5. Saturn, the Bringer of Old Age
The Planets, op. 32: 6. Uranus, the Magician
The Planets, op. 32: 7. Neptune, the Mystic
Sun-Treader: Poco accelerando (bar 1)
Sun-Treader: (bar 51a)
Sun-Treader: Lento (bar 119)
Sun-Treader: A tempo (bar 138a)
Sun-Treader: Poco accelerando (bar 169)
Sun-Treader: Serene, but with great expression (bar 191)
Concerto for Violin and Orchestra: Allegro risoluto
Concerto for Violin and Orchestra: Adagio
Symphony no. 2: I. Moderato
Symphony no. 2: II. Adagio
Symphony no. 2: III. Allegro
Images pour orchestre: I. Gigues
Images, pour orchestre : Ibéria, 1. Par les rues et les chemins
Images pour orchestre: IIb. Ibéria - Les parfums de la nuit
Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête
Images pour orchestre: III. Rondes de printemps
Prélude à l'après-midi d'un faune
Romeo and Juliet, TH 42: Andante non tanto quasi Moderato: Allegro giusto - Moderato assai
Má vlast: I. Vyšehrad
Má vlast: II. Vltava, JB 1:112/2
Má vlast: III. Šárka
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4
Má vlast: V. Tábor
Má vlast: VI. Blaník
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (lento)
Le Sacre du printemps: I. L’Adoration de la terre: II. Les augueres prinantiers. Danse des adolescentes
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage
Le Sacre du printemps: I. L’Adoration de la terre: VII. Adoration de la terre—Le Sage
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (Largo)
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’Élue
Le Sacre du printemps: II. Le Sacrifice: IV. Évocations des ancêtres
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelles des ancêtres
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale. L’Élue
Le Roi des étoiles (Zvezdolikiy): Molto sostenuto – Maestoso e tranquillo – Tempo primo
Symphony: “Mathis der Maler”: I. Angel Concert
Symphony: “Mathis der Maler”: II. Entombment
Symphony: “Mathis der Maler”: III. The Temptation of St. Anthony
Concert Music for Strings and Brass, op. 50: Part I
Concert Music for Strings and Brass, op. 50: Part II
Symphony no. 41 in C major, K. 551: "Jupiter": I. Allegro vivace
Symphony no. 41 in C major, K. 551: "Jupiter": II. Andante cantabile
Symphony no. 41 in C major, K. 551: "Jupiter": III. Menuetto (Allegretto)
Symphony no. 41 in C major, K. 551: "Jupiter": IV. Molto allegro
Symphonie Nr. 8 h-moll, D 759 "Unvollendete": 1. Allegro moderato
Symphonie Nr. 8 h-moll, D 759 "Unvollendete": 2. Andante con moto
Symphonie fantastique, op. 14 : I. Rêveries, passions
Symphonie fantastique, op. 14 : II. Un bal
Symphonie fantastique, op. 14 : III. Scène aux champs
Symphonie fantastique, op. 14 : IV. Marche au supplice
Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Symphony no. 5 in C minor, op. 67: III. Allegro
Symphony no. 5 in C minor, op. 67: IV. Allegro
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor Concerto”: I. Allegro
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor Concerto”: II. Adagio un poco mosso
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor Concerto”: III. Rondo. Allegro
La Damnation de Faust: Introduction
La Damnation de Faust: Ronde des Paysans
La Damnation de Faust: « Mais d’un éclat guerrier les campagnes se parent »
La Damnation de Faust: « Sans regrets j’ai quitté les riantes campagnes »
La Damnation de Faust: Chant de la Fête de Pâques
La Damnation de Faust: « Ô pure émotion! Enfant du saint parvis! »
La Damnation de Faust: Chœur des Buveurs
La Damnation de Faust: Chanson de Brander
La Damnation de Faust: Fugue sur le Thème de la Chanson de Brander
La Damnation de Faust: Chanson de Méphistophélès
La Damnation de Faust: Air de Méphistophélès
La Damnation de Faust: Chœur de gnomes et de sylphes – Songe de Faust
La Damnation de Faust: Ballet des sylphes
La Damnation de Faust: Chœur de Soldats
La Damnation de Faust: Air de Faust
La Damnation de Faust: « Je l’entends! »
La Damnation de Faust: « Que l’air est étouffant! »
La Damnation de Faust: « Le Roi de Thulé »
La Damnation de Faust: Évocation
La Damnation de Faust: Menuet des feux follets
La Damnation de Faust: Sérénade de Méphistopélès et Chœur de feux follets
La Damnation de Faust: Duo
La Damnation de Faust: Trio et Chœur
La Damnation de Faust: Romance « D'amour l'ardente flamme »
La Damnation de Faust: « Au son des trompettes »
La Damnation de Faust: Invocation à la Nature
La Damnation de Faust: Récitatif et Chasse
La Damnation de Faust: La Course à l’abîme
La Damnation de Faust: Pandæmonium – Epilogue sur la terre
La Damnation de Faust: Dans le ciel – Apothéose de Marguerite
Boléro
Une Barque sur l'Océan: Très souple de rythme
Menuet antique: Maestoso
Alborada del gracioso
Pavane pour une infante défunte
La Valse
Le Tombeau de Couperin: I. Prélude: Vif
Le Tombeau de Couperin: II. Forlane: Allegretto
Le Tombeau de Couperin: III. Menuet: Allegro moderato
Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif
Ma mère l'oye: I. Prélude
Ma mère l'oye: II. 1er tableau: Danse du rouet et scène
Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant
Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête
Ma mère l'oye: V. 4e tableau: Petit poucet
Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes
Ma mère l'oye: Vii. Apothéose: Le jardin féerique
Rapsodie espagnole: I. Prélude à la nuit. Très modéré
Rapsodie espagnole: II. Malagueña. Assez vif
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las
Rapsodie espagnole: IV. Feria. Assez animé
Daphnis et Chloé: I. Introduction
Daphnis et Chloé: I. Danse religieuse
Daphnis et Chloé: I. Entree de Daphnis Et Chloé
Daphnis et Chloé: I. Danse des jeunes filles
Daphnis et Chloé: I. Le désir de Dorcon pour Chloé
Daphnis et Chloé: I. Danse de générale
Daphnis et Chloé: I. Danse grotesque de Dorcon
Daphnis et Chloé: I. Danse légère et gracieuse de Daphnis
Daphnis et Chloé: I. Le triomphe de Daphins et l'union extatique avec Chloé
Daphnis et Chloé: I. Tentative de seduction sur Lyceion, et dance des voiles
Daphnis et Chloé: I. Invasion des pirates
Daphnis et Chloé: I. Danse lente et mysterieuse des nymphs (modere)
Daphnis et Chloé: I. Danse lente et mysterieuse des nymphs (lente et tres souple de mesure)
Daphnis et Chloé: II. Interlude
Daphnis et Chloé: II. Danse guerrière des pirates (animé et tres rude)
Daphnis et Chloé: II. Danse guerrière des pirates (un peu moins animé)
Daphnis et Chloé: II. Bryaxis ordonne d'amener la captive
Daphnis et Chloé: II. Danse suppliante de Chloé (assez animé)
Daphnis et Chloé: II. l'Atmosphère se charge
Daphnis et Chloé: III. Lever du jour - Daphnis et Chloé sont réunis
Daphnis et Chloé: III. Pantomime (lent)
Daphnis et Chloé: III. Pantomime (tres lent)
Daphnis et Chloé: III. Entree des jeunes, agitant des tambourins
Daphnis et Chloé: III. Danse générale
Valses nobles et sentimentales: I. Modéré
Valses nobles et sentimentales: II. Assez lent
Valses nobles et sentimentales: III. Modéré
Valses nobles et sentimentales: IV. Assez animé
Valses nobles et sentimentales: V. Presque lent
Valses nobles et sentimentales: VI. Assez vif
Valses nobles et sentimentales: VII. Moins vif
Valses Nobles et Sentimentales: VIII. Epilogue: Lent
The Miraculous Mandarin, BB 82, op. 19 (Sz. 73): Suite
Concerto for Orchestra, BB 123, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace)
Concerto for Orchestra, BB 123, Sz. 116: 2. Giuoco della coppie (Allegretto scherzando)
Concerto for Orchestra, BB 123, Sz. 116: 3. Elegia (Andante, non troppo)
Concerto for Orchestra, BB 123, Sz. 116: 4. Intermezzo interrotto (Allegretto)
Concerto for Orchestra, BB 123, Sz. 116: 5. Finale (Pesante - Presto)
Chant du ménéstrel, op. 71
Cello Concerto no. 2 in G major, op. 126: I. Largo
Cello Concerto no. 2 in G major, op. 126: II. Allegretto
Cello Concerto no. 2 in G major, op. 126: III. Allegretto
El sombrero de tres picos: I. Introducción
El sombrero de tres picos: II. Atardecer
El sombrero de tres picos: III. Danza de la molinera (Fandango)
El sombrero de tres picos: IV. Las uvas
El sombrero de tres picos: V. Danza del los vecinos (Seguidillas)
El sombrero de tres picos: VI. Danza del molinero (Farruca)
El sombrero de tres picos: VII. Danza del corregidor
El sombrero de tres picos: VIII. Danza final (Jota)
Roméo et Juliette, op. 17, H.79, Part 1: Introduction
Roméo et Juliette, op. 17, H.79, Part 1: Prologue: "D'anciennes haines endormies"
Roméo et Juliette, op. 17, H.79, Part 1: Strophe 1: "Premiers transports que nul n'oublie"
Roméo et Juliette, op. 17, H.79, Part 1: Récitatif et Scherzetto: "Bientôt de Roméo": "Mab! la messagère" - "Bientôt la mort est souveraine"
Roméo et Juliette, op. 17, H.79, Part 2: Roméo seul: Tristesse - Concert et bal.
Roméo et Juliette, op. 17, H.79, Part 3: "Ohé! Capulets": Scène d'amour
Roméo et Juliette, op. 17, H.79, Part 4: Scherzo. La Reine Mab ou la Fée des songes
Roméo et Juliette, op. 17, H.79, Part 5: Convoi funebre "Jetez des fleurs pour la vierge expirée"
Roméo et Juliette, op. 17, H.79, Part 6: Romeo au tombeau des Capulets
Roméo et Juliette, op. 17, H.79, Part 4: Invocation: Réveil de Juliette
Roméo et Juliette, op. 17, H.79, Part 4: Joie délirante, désespoir "Dernières angoisses et mort"
Roméo et Juliette, op. 17, H.79, Part 7: Final. "Quoi! Roméo de retour! Roméo"
Roméo et Juliette, op. 17, H.79, Part 7: Final. "Pauvres enfants que je pleure"
Roméo et Juliette, op. 17, H.79, Part 7: Final. "Mais notre sang rougit leur glaive"
Roméo et Juliette, op. 17, H.79, Part 7: Final. "Jurez donc, par l'auguste symbole"
Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
Three Places in New England: II. Putnam’s Camp, Redding, Connecticut
Three Places in New England: III. The Housatonic at Stockbridge
Symphony no. 4: I. Prelude: Maestoso
Symphony no. 4: II. Allegretto
Symphony no. 4: III. Fugue: Andante moderato
Symphony no. 4: IV. Very slowly – Largo maestoso
Central Park in the Dark
Symphony no. 5 in E minor, op. 64, TH.29: I. Andante: Allegro con anima
Symphony no. 5 in E minor, op. 64, TH.29: II. Andante cantabile, con alcuna licenza: Moderato con anima
Symphony no. 5 in E minor, op. 64, TH.29: III. Valse (Allegro moderato)
Symphony no. 5 in E minor, op. 64, TH.29: IV. Finale (Andante maestoso: Allegro vivace)
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto: Allegro - Meno allegro
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
Symphony no. 1 in C minor, op. 68: IV. Adagio: Piu andante - Allegro non troppo, ma con brio - Piu allegro
Pini di Roma: I. I pini di Villa Borghese
Pini di Roma: II. Pini presso una catacomba
Pini di Roma: III. I pini del Gianicolo
Pini di Roma: IV. I pini della Via Appia
Feste romane: I. Circenses
Feste romane: II. Il giubileo
Feste romane: III. L'ottobrata
Feste romane: IV. La befana
Fontane di Roma: I. La fontana di Valle Giulia all'alba
Fontane di Roma: II. La fontana del Tritone al mattino
Fontane di Roma: III. La fontana di Trevi al meriggio
Fontane di Roma: IV. La fontana di Villa Medici al tramonto
Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599)
Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598)
Antiche danze ed arie, suite I: Anonymus: Villanella
Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada
Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581)
Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617)
Antiche danze ed arie, suite II: Anonymus: Campanae parisienses
Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650)
Antiche danze ed arie, suite III: Anonymus: Italiana
Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617)
Antiche danze ed arie, suite III: Anonymus: Siciliana
Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692)
Eine Faust-Symphonie: I. Faust
Eine Faust-Symphonie: II. Gretchen
Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis"
Scheherazade, op. 35: I. Das Meer und Sindbads Schiff. Largo e maestoso – Lento – Allegro non troppo
Scheherazade, op. 35: II. Die Geschichte vom Prinzen Kalender. Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato
Scheherazade, op. 35: III. Der junge Prinz und die junge Prinzessin. Andantino quasi allegretto
Scheherazade, op. 35: IV. Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt. Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Lento, Tempo I
Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo
Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro
Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio
Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto
Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich
Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen
Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt
Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto
Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda)
Violin Concerto in D major: I. Toccata
Violin Concerto in D major: II. Aria I
Violin Concerto in D major: III. Aria II
Violin Concerto in D major: IV. Capriccio
Swan Lake, op. 20: Introduction. Moderato assai
Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto
Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse
Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato
Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro
Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto
Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto
Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro
Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro
Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace
Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro
Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse
Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace
Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet
Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca
Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo
Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse
Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo
Swan Lake, op. 20: Act II: no. 14: Scène. Moderato
Swan Lake, op. 20: Act III: no. 15: Allegro giusto
Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo
Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse
Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto
Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro
Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto
Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace
Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto
Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero)
Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto
Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka
Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo
Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo
Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato
Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace
Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato
Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro
Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio
Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro
Konzert für Fagott und Orchester B-dur: I. Allegro
Konzert für Fagott und Orchester B-dur: II. Andante ma Adagio
Konzert für Fagott und Orchester B-dur: III. Rondo - Tempo di Menuetto
Quatrain
A Flock Descends Into the Pentagonal Garden
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Après un rêve, op. 7 no. 1
Pavane, op. 50
Élégie, op. 24
Dolly Suite, I. Berceuse: Allegretto moderato
Dolly Suite, II. Mi-a-ou: Allegro vivo-Più lento-Allegro
Dolly Suite, III. Le jardin de Dolly: Andantino
Dolly Suite, IV. Kitty-Valse: Tempo di Valse
Dolly Suite, V. Tendresse: Andante
Dolly Suite, VI. Le Pas Espagnol: Allegro
Romeo & Juliet, op. 64: Act I. No. 1 Introduction. Andante assai
Romeo & Juliet, op. 64: Act I, Scene I. No. 2 Romeo (reflective). Andante
Romeo & Juliet, op. 64: Act I, Scene I. No. 3 The street awakens. Allegretto
Romeo & Juliet, op. 64: Act I, Scene I. No. 4 Morning dance. Allegro
Romeo & Juliet, op. 64: Act I, Scene I. No. 5 The quarrel. Allegro brusco
Romeo & Juliet, op. 64: Act I, Scene I. No. 6 The fight. Presto
Romeo & Juliet, op. 64: Act I, Scene I. No. 7 The Prince’s decree. Andante
Romeo & Juliet, op. 64: Act I. Scene I. No. 8 Interlude. Andante pomposo (L’istesso tempo)
Romeo & Juliet, op. 64: Act I, Scene II. No. 9 Preparations for the ball (Juliet and the Nurse). Andante assai – Scherzando
Romeo & Juliet, op. 64: Act I, Scene II. No. 10 Juliet the young girl. Vivace
Romeo & Juliet, op. 64: Act I, Scene II. No. 11 Arrival of the guests (Minuet). Assai moderato
Romeo & Juliet, op. 64: Act I, Scene II. No. 12 Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale
Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante
Romeo & Juliet, op. 64: Act I, Scene II. No. 14 Juliet’s variation. Moderato (quasi Allegretto)
Romeo & Juliet, op. 64: Act I, Scene II. No. 15 Mercutio. Allegro giocoso
Romeo & Juliet, op. 64: Act I, Scene II. No. 16 Madrigal (Romeo and Juliet). Andante tenero
Romeo & Juliet, op. 64: Act I, Scene II. No. 17 Tybalt recognizes Romeo. Allegro
Romeo & Juliet, op. 64: Act I, Scene II. No. 18 Gavotte (Departure of the guests). Allegro
Romeo & Juliet, op. 64: Act I, Scene II. No. 19 Balcony scene. Larghetto
Romeo & Juliet, op. 64: Act I, Scene II. No. 20 Romeo’s variation. Allegretto amoroso
Romeo & Juliet, op. 64: Act I, Scene II. No. 21 Romeo and Juliet’s love dance. Andante
Romeo & Juliet, op. 64: Act II, Scene III. No. 22 Folk dance. Allegro giocoso
Romeo & Juliet, op. 64: Act II, Scene III. No. 23 Romeo and Mercutio. Andante teneroso
Romeo & Juliet, op. 64: Act II, Scene III. No. 24 Dance of the five couples. Vivo
Romeo & Juliet, op. 64: Act II, Scene III. No. 25 Dance with mandolins. Vivace
Romeo & Juliet, op. 64: Act II, Scene III. No. 26 The Nurse (looking for Romeo). Adagio scherzoso
Romeo & Juliet, op. 64: Act II, Scene III. No. 27 The Nurse delivers Juliet’s letter to Romeo. Vivace
Romeo & Juliet, op. 64: Act II, Scene IV. No. 28 Romeo at Friar Laurence’s. Andante espressivo
Romeo & Juliet, op. 64: Act II, Scene IV. No. 29 Juliet at Friar Laurence’s. Lento
Romeo & Juliet, op. 64: Act II, Scene V. No. 30 The people continue to make merry. Vivo
Romeo & Juliet, op. 64: Act II, Scene V. No. 31 More merrymaking (folk dance repeated). Allegro giocoso
Romeo & Juliet, op. 64: Act II, Scene V. No. 32 Tybalt meets Mercutio. Moderato
Romeo & Juliet, op. 64: Act II, Scene V. No. 33 Tybalt and Mercutio fight. Precipitato
Romeo & Juliet, op. 64: Act II, Scene V. No. 34 Mercutio dies. Moderato
Romeo & Juliet, op. 64: Act II, Scene V. No. 35 Romeo resolves to avenge Mercutio’s death. Andante. Animato – Presto
Romeo & Juliet, op. 64: Act II, Scene V. No. 36 Finale of Act II (Cortège with Tybalt’s body). Adagio dramatico
Romeo & Juliet, op. 64: Act III. No. 37 Introduction. Andante
Romeo & Juliet, op. 64: Act III, Scene VI. No. 38 Romeo and Juliet. Lento
Romeo & Juliet, op. 64: Act III, Scene VI. No. 39 The last farewell. Andante – Adagio
Romeo & Juliet, op. 64: Act III, Scene VI. No. 40 The Nurse (announces Juliet’s parents and Paris). Andante assai – Più mosso con effetto
Romeo & Juliet, op. 64: Act III, Scene VI. No. 41 Juliet refuses to marry Paris. Vivace – Allegro pesante
Romeo & Juliet, op. 64: Act III, Scene VI. No. 42 Juliet alone. Adagio
Romeo & Juliet, op. 64: Act III, Scene VI. No. 43 Interlude. Adagio (L’istesso tempo)
Romeo & Juliet, op. 64: Act III, Scene VII. No. 44 At Friar Laurence’s (Friar Laurence gives Juliet a sleeping‐potion). Andante
Romeo & Juliet, op. 64: Act III, Scene VII. No. 45 Interlude. L’istesso tempo
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 46 Juliet’s bedroom. Moderato tranquillo – Andante dolente
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 47 Juliet alone (The sleeping‐potion). Andante – Adagio – Andante
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 48 Morning serenade (with mandolins). Andante giocoso
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 49 Dance of the young girls with the lilies. Andante con eleganza
Romeo & Juliet, op. 64: Act III, Scene VIII. No. 50 At Juliet’s bedside (Juliet’s apparent death). Andante – Adagio
Romeo & Juliet, op. 64: Act IV, Scene IX. No. 51 Juliet’s funeral (and Romeo’s death). Adagio funebre
Romeo & Juliet, op. 64: Act IV, Scene IX. No. 52 Death of Juliet. Adagio (meno mosso del tempo precedente)
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio – Allegretto vivace – Allegro animato
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato – Presto
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -
Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando)
Totentanz (Danse macabre)
España: Rhapsodie pour orchestre
Faust: Allegretto. Tempo di Valse
Faust: Adagio
Faust: Allegretto
Faust: Moderato maestoso
Faust: Moderato con moto
Faust: Allegro vivo
Mignon: Ouverture
Gaîté parisienne: Ouverture
Gaîté parisienne: Polka
Gaîté parisienne: Allegro
Gaîté parisienne: Valse. Lento
Gaîté parisienne: Allegro vivo. Valse. Allegro Vivace: Misterioso: Lento. Valse. Moderato
Gaîté parisienne: Cancan. Allegro
Gaîté parisienne: Barcarolle. Allegro moderato
Gloria: I. Gloria
Gloria: II. Laudamus te
Gloria: III. Domine Deus
Gloria: IV. Domine Fili unigenite
Gloria: V. Domine Deus, Agnus Dei
Gloria: VI. Qui sedes ad dexteram Patris
Stabat Mater: I. Stabat Mater dolorosa
Stabat Mater: II. Cujus animam gementem
Stabat Mater: III. O quam tristis
Stabat Mater: IV. Quae maerebat
Stabat Mater: V. Quis est homo
Stabat Mater: VI. Vidit suum
Stabat Mater: VII. Eja mater
Stabat Mater: VIII. Fac, Ut Ardeat
Stabat Mater: IX. Sancta Mater
Stabat Mater: X. Fac ut portem
Stabat Mater: XI. Inflammatus et accensus
Stabat Mater: XII. Quando corpus
Violin Concerto no. 2, Sz. 112: I. Allegro non troppo
Violin Concerto no. 2, Sz. 112: II. Andante tranquillo
Violin Concerto no. 2, Sz. 112: III. Allegro molto
En rêve, Concerto for Violin and Chamber Orchestra: I. Lumière vaporeuse: Mystérieux et envoûtant
En rêve, Concerto for Violin and Chamber Orchestra: II. Dialogue avec l'Étoile
En rêve, Concerto for Violin and Chamber Orchestra: III. Azur fascinant (Sérénade tessinoise): Exubérant, un air de fête
4 Sea Interludes: I. Dawn. Lento e tranquillo
4 Sea Interludes: II. Sunday Morning. Allegro spiritoso
4 Sea Interludes: III. Moonlight. Andante comodo e rubato
4 Sea Interludes: IV. Storm. Presto con fuoco
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
Symphony no. 7 in A major, op. 92: II. Allegretto
Symphony no. 7 in A major, op. 92: III. Presto
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Concerto in G minor for Organ, Strings and Timpani: I. Andante - Allegro giocoso
Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato
Concerto in G minor for Organ, Strings and Timpani: III. Tempo allegro, molto agitato - Très calme, lent - Tempo de l'allegro initial - Tempo introduction: Largo
Concert champêtre, FP 49 : I. Allegro molto - Adagio - Allegro molto
Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne
Concert champêtre, FP 49 : III. Finale, Presto très gai
Offertorium
Overture "A Midsummer Night's Dream", Op. 21
A Midsummer Night's Dream, Op. 61 No. 1: Scherzo - Allegro vivace
A Midsummer Night's Dream, Op. 61 No. 2: L'istesso tempo
A Midsummer Night's Dream, Op. 61: March of the Fairies. Allegro vivace
A Midsummer Night's Dream, Op. 61 No. 3: Song with Chorus "Bunte Schlangen, zweigezüngt". Allegro ma non troppo
A Midsummer Night's Dream, Op. 61 No. 4: The Speels. Andante - Allegro molto
A Midsummer Night's Dream, Op. 61 No. 5: Intermezzo. Allegro appassionato
A Midsummer Night's Dream, Op. 61 No. 7: Notturno
A Midsummer Night's Dream, Op. 61 No. 8: Melodram. Andante
A Midsummer Night's Dream, Op. 61 No. 9: Wedding March. Allegro vivace
A Midsummer Night's Dream, Op. 61 No. 10a: Prologue
A Midsummer Night's Dream, Op. 61 No. 10b: Marcia funebre. Allegro comodo
A Midsummer Night's Dream, Op. 61 No. 11: Dance of the Clowns
A Midsummer Night's Dream, Op. 61 No. 12: Allegro vivace come 1
A Midsummer Night's Dream, Op. 61: Finale "Bei des Feuers mattem Flimmern"
The Nutcracker, op. 71: Overture
The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree
The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March
The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents
The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents
The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance
The Nutcracker, op. 71: Act I, no. 6. Departure of the guests
The Nutcracker, op. 71: Act I, no. 7. The battle
The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow
The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes
The Nutcracker, op. 71: Act II, no. 10. Introduction
The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince
The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes)
The Nutcracker Suite, op. 71: III. Flower Waltz
The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda)
The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis
The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy
The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio"
The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat
The Sleeping Beauty, Op. 66: Suite. IV. Panorama
The Sleeping Beauty Suite, op. 66a: V. Waltz
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: I. Vivace – Moderato – Vivace
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: II. Andante
Concerto for Piano and Orchestra no. 1 in F‐sharp minor, op. 1: III. Allegro vivace
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso – Alla marcia – Moderato
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio Sostenuto
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando – Moderato – Allegro scherzando – Presto – Moderato – Allegro scherzando – Alla breve – Presto – Maestoso – Risoluto
TreeSong: Dreamly. "Doctor Hu and the Metasequoia"
TreeSong: Twice as fast - Deciso. "Trunks, Branches and Leaves"
TreeSong: Tempo primo. "The Tree Sings"
Concerto for Violin and Orchestra: Moderato
Concerto for Violin and Orchestra: Slowly (in peaceful contemplation)
Concerto for Violin and Orchestra: Broadly (Maestoso) - Quickly
Three Pieces from Schindler's List: Theme. Lente
Three Pieces from Schindler's List: Jewish Town (Kraków Ghetto - Winter '41). Andante
Three Pieces from Schindler's List: Remembrances. Andante
Violin Concerto "Anne-Sophie": I. Moderato
Violin Concerto "Anne-Sophie": II. Cadenza: Slowly
Violin Concerto "Anne-Sophie": III. Andante
Double Concerto for Violin, Contrabass and Orchestra: I. Allegro
Double Concerto for Violin, Contrabass and Orchestra: Interlude
Double Concerto for Violin, Contrabass and Orchestra: II. Slowly
Double Concerto for Violin, Contrabass and Orchestra: III. Allegro
Lady Macbeth of the Mtsensk District, op. 29: Passacaglia
Symphony no. 10 in E minor, op. 93: 1. Moderato
Symphony no. 10 in E minor, op. 93: 2. Allegro
Symphony no. 10 in E minor, op. 93: 3. Allegretto
Symphony no. 10 in E minor, op. 93: 4. Andante – Allegro
Symphony no. 9 in E-flat major, op. 70: 1. Allegro
Symphony no. 9 in E-flat major, op. 70: 2. Moderato
Symphony no. 9 in E-flat major, op. 70: 3. Presto –
Symphony no. 9 in E-flat major, op. 70: 4. Largo –
Symphony no. 9 in E-flat major, op. 70: 5. Allegretto
Symphony no. 5 in D minor, op. 47: 1. Moderato – Allegro non troppo – Poco sostenuto – Largamente – Più mosso – Moderato
Symphony no. 5 in D minor, op. 47: 2. Allegretto – Largamente – Poco più mosso
Symphony no. 5 in D minor, op. 47: 3. Largo
Symphony no. 5 in D minor, op. 47: 4. Allegro non troppo - Allegro - Più mosso
Suite From the Incidental Music to “Hamlet”, op. 32a: 1. Introduction and Night Patrol. Allegro non troppo – Moderato. Poco allegretto
Suite From the Incidental Music to “Hamlet”, op. 32a: 2. Funeral March. Adagio
Suite From the Incidental Music to “Hamlet”, op. 32a: 3. Flourish and Dance Music. Allegro – Allegretto
Suite From the Incidental Music to “Hamlet”, op. 32a: 4. The Hunt. Allegro
Suite From the Incidental Music to “Hamlet”, op. 32a: 9. Ophelia's Song. Allegro – Meno mosso – Presto
Suite From the Incidental Music to “Hamlet”, op. 32a: 10. Cradle Song. Andantino
Suite From the Incidental Music to “Hamlet”, op. 32a: 11. Requiem. Adagio
Symphony no. 8 in C minor, op. 65: 1. Adagio – Poco più mosso – Adagio – Allegro non troppo – Adagio – Poco più mosso – Adagio
Symphony no. 8 in C minor, op. 65: 2. Allegretto – L’istesso tempo
Symphony no. 8 in C minor, op. 65: 3. Allegro non troppo –
Symphony no. 8 in C minor, op. 65: 4. Largo –
Symphony no. 8 in C minor, op. 65: 5. Allegretto – Allegro – Più mosso – Adagio – Allegretto – Andante
Symphony no. 6 in B minor, op. 54: 1. Largo
Symphony no. 6 in B minor, op. 54: 2. Allegro
Symphony no. 6 in B minor, op. 54: 3. Presto
Prélude à l'après-midi d'un faune, L. 86 (Arranged by Benno Sachs)
Sonata for Violin and Piano: I. Allegro vivo
Sonata for Violin and Piano: II. Intermède: Fantasque et léger
Sonata for Violin and Piano: III. Finale: Très animé
Sonata in D minor for Cello and Piano, L. 135: 1. Prologue (lent)
Sonata in D minor for Cello and Piano, L. 135: 2. Sérénade (Modérément animé)
Sonata for Flute, Viola and Harp: I. Pastorale: Lento, dolce rubato
Sonata for Flute, Viola and Harp: II. Interlude: Tempo di minuetto
Sonata for Flute, Viola and Harp: III. Finale: Allegro moderato ma risoluto
Syrinx
Sonata For Flute, Oboe, Violoncello And Harpsichord: I. Risoluto
Sonata For Flute, Oboe, Violoncello And Harpsichord: II. Lento
Sonata For Flute, Oboe, Violoncello And Harpsichord: III. Allegro
Largo For Violin, Clarinet & Piano
Quintet For Oboe And String Quartet: I. Andante: Allegro - Tempo di Andante
Quintet For Oboe And String Quartet: II. Adagio, molto espressivo
Quintet For Oboe And String Quartet: III. Lento: Allegro moderato - Allegretto - Lento
Quintet For Oboe And String Quartet: IV. Adagio
String Quintet no. 2 in G major, op. 77, B.49: I. Allegro con fuoco
String Quintet no. 2 in G major, op. 77, B.49: II. Intermezzo. Andante religioso. Molto Adagio
String Quintet no. 2 in G major, op. 77, B.49: III. Scherzo. Allegro vivace: Trio. L'Istesso tempo, quasi Allegretto
String Quintet no. 2 in G major, op. 77, B.49: IV. Poco Andante
String Quintet no. 2 in G major, op. 77, B.49: V. Finale. Allegro assai
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: I. The Soldier's March
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: II. Narrator: "Phew, this isn't a bad sort of spot"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: III. Music for Scene 1: Airs by a Stream
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: IV. Narrator: "Enter the Devil"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: V. The Soldier's March
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VI. Narrator: "Hurray, here we are! We're home at last"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VII. Music for Scene 2: pastorale
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VIII. Narrator: "The Devil was standing therre"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: IX. Music for the end of Scene 2 (score p. 18)
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: X. Narrator: "He took the book"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XI. Music for the end of Scene 2: Airs by a Stream
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XII. Narrator: "They have nothing: and yet they have it all"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIII. Music for Scene 3: Airs by a Stream
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIV. The Soldier's March
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XV. Narrator: "Now he comes to another land"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVI. The Royal March
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVII. Narrator: "They have the word for the band to play
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVIII. The Little Concert
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIX. Tango
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XX. Valse
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXI. Ragtime
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXII. The Devil's Dance
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXIII. Little Chorale
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXIV. The Devil's Song
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXV. Great Chorale
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXVI. Narrator: "I have everything, he thinks"
L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXVII. Triumphal March of the Devil
Septet: I. I
Septet: II. Passacaglia
Septet: III. Gigue
Kaiserwalzer, op. 437: Transcription Arnold Schönberg
Rosen aus dem Süden, op. 388: Transcription Arnold Schönberg
Wein, Weib und Gesang, op. 333: Transcription Alban Berg
Schatzwalzer, op. 418: Arr. Webern
Octet for Wind Instruments, rev. version 1952: I. Sinfonia (Lento: Allegro moderato)
Octet for Wind Instruments, rev. version 1952: II. Tema con variazioni
Octet for Wind Instruments, rev. version 1952: III. Finale
Pastorale: arr. for Violin an 4 Wind Instruments 1934 (Collab. S. Dushkin)
Ragtime
Concertino: arr. (1952) of original work for string quartet (1920)
Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Langsam
Chamber Symphony no. 1, op. 9, Arr. Anton Webern: sehr rasch (38)
Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer, aber doch fließend (60)
Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer (77)
Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Etwas bewegter (T.415/Ziff. 86)
Chamber Concerto: II. Adagio
Suite, op. 29: I. Ouvertüre: Allegretto
Suite, op. 29: II. Tanzschritte: Moderato
Suite, op. 29: III. Theme and variations
Suite, op. 29: IV. Gigue
Phantasy For Violin And Piano, op. 47
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
Symphony no. 2 in D major, op. 73: II. Adagio non troppo: L'istesso tempo, ma grazioso
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino): Presto ma non assai
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
Semiramide: Overture
Moto perpetuo, op. 11