Edward Elgar
The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost
The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight
The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists
The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances
No reviews yet.
The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began
The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet
The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter
The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces
The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children
Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg)
Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton)
Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp)
Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)