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Album — Moonwax

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BTHVN 2020: The New Complete Edition

2019

BTHVN 2020: The New Complete Edition

Ludwig van Beethoven

Tracklist

Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace

Overture "Die Geschöpfe des Prometheus", op. 43

Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Overture "Leonore" no. 3, op. 72a

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 1. Allegro con brio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace – Trio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 4. Finale. Allegro molto – Poco andante – Presto

Symphony no. 4 in B‐flat major, op. 60: 1. Adagio – Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: 2. Adagio

Symphony no. 4 in B‐flat major, op. 60: 3. Allegro molto e vivace – Trio. Un poco meno allegro

Symphony no. 4 in B‐flat major, op. 60: 4. Allegro ma non troppo

Overture "Coriolan", op. 62

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphonie no. 5 c–Moll, op. 67: II. Andante con moto

Symphonie no. 5 c–Moll, op. 67: III. Scherzo. Allegro

Symphonie no. 5 c–Moll, op. 67: IV. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: 1. Angenehme, heitere Empfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachen. Allegro ma non troppo

Symphony no. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach. Andante molto mosso

Symphony no. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: 4. Donner. Sturm. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Wohltätige, mit Dank an die Gottheit verbundene Gefühle nach dem Sturm. Allegretto

Symphony no. 7 in A major, op. 92: 1. Poco sostenuto – Vivace

Symphony no. 7 in A major, op. 92: 2. Allegretto

Symphony no. 7 in A major, op. 92: 3. Presto

Symphony no. 7 in A major, op. 92: 4. Allegro con brio

Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F major, op. 93: II. Allegretto scherzando

Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto

Symphony no. 8 in F major, op. 93: IV. Allegro vivace

Overture “Zur Namensfeier”, op. 115

Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91

Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace

Symphonie Nr. 9 in d-moll, op. 125: III. Adagio molto e cantabile

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro assai

Symphony no. 9 in D minor, op. 125 “Choral”: V. Presto - “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato

Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace

Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Egmont, Incidental Music, op. 84: Overture

Egmont, Incidental Music, op. 84: Lied „Die Trommel gerühret“

Egmont, Incidental Music, op. 84: Zwischenakt I. Andante

Egmont, Incidental Music, op. 84: Zwischenakt II. Larghetto

Egmont, Incidental Music, op. 84: Lied „Freudvoll und leidvoll“

Egmont, Incidental Music, op. 84: Siegessymphonie. Allegro con brio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto

Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: II. Adagio

Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo

Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio

Symphonie Nr. 5 c‐moll, op. 67: 2. Satz: Andante con moto

Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro

Symphonie Nr. 5 c‐moll, op. 67: 4. Satz: Allegro

Symphonie nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace

Symphonie nr. 7 A‐Dur, op. 92: II. Allegretto

Symphonie nr. 7 A‐Dur, op. 92: III. Presto

Symphonie nr. 7 A‐Dur, op. 92: IV. Allegro con brio

Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo

Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso

Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro

Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro

Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto

Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio

Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando

Symphony no. 8 in F major, op. 93: 3. Tempo di Menuetto

Symphony no. 8 in F major, op. 93: 4. Allegro vivace

Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125: II. Molto vivace

Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile

Symphony no. 9 in D minor, op. 125: IV. Presto

Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai

Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace

Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace

Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto

Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: II. Adagio

Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace

Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo

Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso

Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto

Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace

Symphony no. 7 in A major, op. 92: II. Allegretto

Symphony no. 7 in A major, op. 92: III. Presto

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F major, op. 93: II. Allegretto scherzando

Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto

Symphony no. 8 in F major, op. 93: IV. Allegro vivace

Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso

Symphony no. 9 in D minor, op. 125: Molto vivace

Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile

Symphony no. 9 in D minor, op. 125: Presto

Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai

Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio

Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro

Concerto for Piano and Orchestra in E-flat major, WoO 4 (completion: Ronald Brautigam): I. Allegro moderato

Concerto for Piano and Orchestra in E-flat major, WoO 4 (completion: Ronald Brautigam): II. Larghetto

Concerto for Piano and Orchestra in E-flat major, WoO 4 (completion: Ronald Brautigam): III. Rondo. Allegretto

Piano Concerto no. 2 in B-flat major, op. 19: 1. (Cadenza: Ludwig van Beethoven)

Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio

Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro)

Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio

Piano Concerto no. 1 in C major, op. 15: II. Largo

Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando

Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio

Piano Concerto No. 3 in C minor, Op. 37: II. Largo

Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro

Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato

Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto

Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace

Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro

Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca

Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro

Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler)

Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto

Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler)

Violinkonzert D‐dur, op. 61: I. Allegro ma non troppo

Violinkonzert D‐dur, op. 61: II. Larghetto

Violinkonzert D‐dur, op. 61: III. Rondo. Allegro

Romance for Violin and Orchestra no. 1 in G major, op. 40

Romance for Violin and Orchestra no. 2 in F major, op. 50

Romance Cantabile for Piano, Flute and Bassoon Accompanied by Two Oboes and Strings in E minor (Hess 13)

Piano Concerto No. 1 in C, op. 15: I. Allegro con brio

Piano Concerto No. 1 in C, op. 15: II. Largo

Piano Concerto No. 1 in C, op. 15: III. Rondo. Allegro scherzando

Konzert für Klavier und Orchester Nr. 2 B-dur, op. 19: I. Allegro con brio

Konzert für Klavier und Orchester Nr. 2 B-dur, op. 19: II. Adagio

Konzert für Klavier und Orchester Nr. 2 B-dur, op. 19: III. Rondo. Molto allegro

Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro

Cadenza for Piano Concerto No. 1, Hess 76

Klavierkonzert Nr. 3 c-Moll, op. 37: I. Allegro con brio

Klavierkonzert Nr. 3 c-Moll, Op. 37: II. Largo

Klavierkonzert Nr. 3 c-Moll, op. 37: III. Rondo. Allegro

Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato

Piano Concerto no. 4 in G major, op. 58: II. Andante con moto

Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace

Fantasie für Klavier, Chor und Orchester in c-Moll, op. 80: I. Adagio

Fantasia for Piano, Chorus and Orchestra in c, op. 80: Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto man non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto

Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro

Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso

Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro

Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo

Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: II. Larghetto

Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: III. Rondo. Allegro

Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 "Triple Concerto": I. Allegro

Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 "Triple Concerto": II. Largo – attacca

Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 "Triple Concerto": III. Rondo alla polacca

Konsertsatz C-Dur, WoO 5

Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro

Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance

Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo (Allegro assai)

Music for a Ballet on Horseback, WoO 1: I. March

Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato

Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto

Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino

Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio

Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum”

Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo)

Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz

Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace

Die Geschöpfe des Prometheus, op. 43: Overtura: Adagio: Allegro molto e con brio

Die Geschöpfe des Prometheus, op. 43: (Introduzione) La Tempesta: Allegro non troppo

Die Geschöpfe des Prometheus, op. 43: 1. Poco adagio

Die Geschöpfe des Prometheus, op. 43: 2. Adagio: Allegro con brio

Die Geschöpfe des Prometheus, op. 43: 3. Allegro vivace

Die Geschöpfe des Prometheus, op. 43: 4. Maestoso: Andante

Die Geschöpfe des Prometheus, op. 43: 5. Adagio: Andante quasi allegretto

Die Geschöpfe des Prometheus, op. 43: 6. Un poco adagio: Allegro

Die Geschöpfe des Prometheus, op. 43: 7. Grave

Die Geschöpfe des Prometheus, op. 43: 8. Allegro con brio

Die Geschöpfe des Prometheus, op. 43: 9. Adagio

Die Geschöpfe des Prometheus, op. 43: 10. Pastorale: Allegro

Die Geschöpfe des Prometheus, op. 43: 11. Coro di Gioja: Andante

Die Geschöpfe des Prometheus, op. 43: 12. Solo di Gioja: Maestoso: Adagio

Die Geschöpfe des Prometheus, op. 43: 13. Terzettino: Grotteschi: Allegro

Die Geschöpfe des Prometheus, op. 43: 14. Solo della Signora Cassentini: Andante: Adagio

Die Geschöpfe des Prometheus, op. 43: 15. Coro (e) Solo de Vigano: Andantino: Adagio

Die Geschöpfe des Prometheus, op. 43: 16. Finale: Allegretto

12 Minuets for Orchestra, WoO 7 no. 1 in D major

12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major

12 Minuets for Orchestra, WoO 7 no. 3 in G major

12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major

12 Minuets for Orchestra, WoO 7 no. 5 in C major

12 Minuets for Orchestra, WoO 7 no. 6 in A major

12 Minuets for Orchestra, WoO 7 no. 7 in D major

12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major

12 Minuets for Orchestra, WoO 7 no. 9 in G major

12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major

12 Minuets for Orchestra, WoO 7 no. 11 in C major

12 Minuets for Orchestra, WoO 7 no. 12 in F major

12 German Dances, WoO 8 no. 1 in C major

12 German Dances, WoO 8 no. 2 in A major

12 German Dances, WoO 8 no. 3 in F major

12 German Dances, WoO 8 no. 4 in B-flat major

12 German Dances, WoO 8 no. 5 in E-flat major

12 German Dances, WoO 8 no. 6 in G major

12 German Dances, WoO 8 no. 7 in C major

12 German Dances, WoO 8 no. 8 in A major

12 German Dances, WoO 8 no. 9 in F major

12 German Dances, WoO 8 no. 10 in D major

12 German Dances, WoO 8 no. 11 in G major

12 German Dances, WoO 8 no. 12 in C major - Coda

12 Contredanses for Orchestra, WoO 14: No. 1 in C major

12 Contredanses for Orchestra, WoO 14: No. 2 in A major

12 Contredanses for Orchestra, WoO 14: No. 3 in D major

12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major

12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major

12 Contredanses for Orchestra, WoO 14: No. 6 in C major

12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major

12 Contredanses for Orchestra, WoO 14: No. 8 in C major

12 Contredanses for Orchestra, WoO 14: No. 9 in A major

12 Contredanses for Orchestra, WoO 14: No. 10 in C major

12 Contredanses for Orchestra, WoO 14: No. 11 in G major

12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major

6 Ländler for 2 Violins and Bass, WoO 15 No. 1 in D Major

6 Ländler for 2 Violins and Bass, WoO 15 No. 2 in D Major

6 Ländler for 2 Violins and Bass, WoO 15 No. 3 in D Major

6 Ländler for 2 Violins and Bass, WoO 15 No. 4 in D Minor

6 Ländler for 2 Violins and Bass, WoO 15 No. 5 in D Major

6 Ländler for 2 Violins and Bass, WoO 15 No. 6 in D Major

Marsch für Militärmusik F-dur WoO 18 »Yorck'scher Marsch«

Tattoo no. 3 in F, WoO 19

March and Trio for Military Music in C major, WoO 20 "The Tattoo"

Polonaise for Military Music in D major, WoO 21

Ecossaise für Militärmusik D-dur WoO22

March for Military Music in D major, WoO 24

Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro

Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace

Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio

Egmont, op. 84: III. Entr’acte Music II. Larghetto

Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace

Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace

Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato

Egmont, op. 84: VII. Clärchen’s Death. Larghetto

Egmont, op. 84: VIII. Melodrama. Poco sostenuto

Egmont, op. 84: IX. Victory Symphony. Allegro con brio

The Ruins of Athens, Op. 113: Overture. Andante con moto - Allegro ma non troppo

The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!"

The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl)

The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen"

The Ruins of Athens, Op. 113: IV. Turkish March. Vivace

The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!"

The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet"

The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen"

The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?"

The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!"

Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto

Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto

Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto

Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio

Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March

Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese

Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace

Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace

Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto

Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram

Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto

Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto

The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio

The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze"

The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!”

The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide"

Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben"

Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein"

Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden"

Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung

Leonore, Hess 109: Overture “Leonore II”

Leonore, Hess 109: Act I: “…’Twas in truth”

Leonore, Hess 109: Act I, no. 1. Aria “O wär’ ich schon mit dir vereint” (Marzelline) (first version from 1804)

Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad”

Leonore, Hess 109: Act I, no. 2. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)

Leonore, Hess 109: Act I. “Der Kerkmeister, Rocco, der Vater”

Leonore, Hess 109: Act I, no. 3. Trio “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) (extra bar and instrumental refinements from 1806 version)

Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiss woher”

Leonore, Hess 109: Act I, no. 4. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jacquino)

Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser”

Leonore, Hess 109: Act I, no. 5. Aria “Hat man nicht auch Gold beineben” (Rocco)

Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust”

Leonore, Hess 109: Act I, no. 6. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) (2 cuts from 1806 version, 2 cuts along the lines of 1814 version)

Leonore, Hess 109: Act II, no. 7. Introduction in D major

Leonore, Hess 109: Act II. “Der Gouverneur ist da”

Leonore, Hess 109: Act II, no. 8. Aria with Choir “Ha! Welch ein Augenblick!” (Pizarro, choir) (16 new bars from 1814 version included)

Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!”

Leonore, Hess 109: Act II, no. 9. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) (1 cut from 1814 version)

Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline”

Leonore, Hess 109: Act II, no. 10. Duet “Um in der Ehe froh zu leben” (Marzelline, Leonore)

Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers”

Leonore, Hess 109: Act II, no. 11. Recitation and Aria “Ach, brich noch nicht, du mattes Herz!” - “Komm, Hoffnung, lass den letzen Stern” (Leonore) (small cut in final coloratura passage)

Leonore, Hess 109: Act II, no. 12. Finale. Prisoner’s Chorus “O welche Lust, in frier Luft” (2 small cuts from 1806 version)

Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco)

Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro)

Leonore, Hess 109: Act II, no. 12. Finale. Aria “Auf euch nur will ich bauen” (Pizarro, choir) (2 cuts in vocal section)

Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit”

Leonore, Hess 109: Act III, no. 13. Recitation and Aria “Gott! Welch Dunkel hier!” - “On des Lebens Frühlingstagen” (Florestan) (1806 version with additions from Prague score and sketches)

Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore)

Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)

Leonore, Hess 109: Act III. “Dort, in der Tiefe”

Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version)

Leonore, Hess 109: Act III. “Und Rocco eilt”

Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco)

Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!”

Leonore, Hess 109: Act III, no. 17. Recitation and Duet “Ich kann mich noch nicht fassen” (Florestan, Leonore) (2 cuts and substitute passage of 13 bars from 1806 version, first 2 bars cut in 1805 version restored)

Leonore, Hess 109: Act III, no. 18. Finale. “Zur Rache! Zur Rache!” (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) (small cut with added lines for Jacuino and Marzelline from 1806 version)

Leonore, Hess 109: Act III, no. 18. Finale. “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir)

Leonore, Hess 109: Act III, no. 18. Finale. “So müssen endlich Aufgeklärte”

Leonore, Hess 109: Act III, no. 18. Finale. “Doch höre erst, du Bösewicht” (Fernando, choir, Leonore, Florestan)

Leonore, Hess 109: Act III, no. 18. Finale. “Dann herrscht allgemeine Freiheit und Gleichheit der Geister”

Leonore, Hess 109: Act III, no. 18. Finale. “Nein, nein, nein! Erst ist noch zu gering bestraft!” (choir)

Leonore, Hess 109: Act III, no. 18. Finale. “Ein höherer geist, vom Himmel gesandt”

Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)

Leonore, Hess 109: Act III, no. 18. Finale. “Wer ein holdes Weib errungen” (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) (1 bar cut in 1805 version restored, bridge passage before Florestan’s solo shortened)

Leonore, Hess 109: Appendix, no. 7a. March (alternative version) in B‐flat major

Fidelio, op. 72: Ouvertüre

Fidelio, op. 72: Akt I. Nr. 1 Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaquino, Marzelline)

Fidelio, op. 72: Akt I. »Seit Fidelio bei uns ist, ist die Welt wie verwandelt« (Marzelline)

Fidelio, op. 72: Akt I. Nr. 2 Arie: »O wär ich schon mit dir vereint« (Marzelline)

Fidelio, op. 72: Akt I. »Ich täusche die Menschen, die mich ernähren« (Leonore, Rocco)

Fidelio, op. 72: Akt I. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino)

Fidelio, op. 72: Akt I. »Marzelline und Fidelio haben sich offensichtlich recht lieb« (Rocco)

Fidelio, op. 72: Akt I. Nr. 4 Arie: »Hat man nicht auch Gold beineben« (Rocco)

Fidelio, op. 72: Akt I. »In den finstersten Gewölben sitzt ein Gefangener« (Rocco)

Fidelio, op. 72: Akt I. Nr. 5 Terzett: »Gut, Söhnchen, gut, hab immer Mut« (Rocco, Leonore, Marzelline)

Fidelio, op. 72: Akt I. Nr. 6 Marsch

Fidelio, op. 72: Akt I. »Was Neues vorgefallen?« (Pizarro, Rocco)

Fidelio, op. 72: Akt I. Nr. 7 Arie mit Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor)

Fidelio, op. 72: Akt I. »Und nun zu dir mein lieber Rocco!« (Pizarro, Rocco)

Fidelio, op. 72: Akt I. Nr. 8 Duett: »Jetzt, Alter, jetzt hat es Eile!« (Pizarro, Rocco)

Fidelio, op. 72: Akt I. Nr. 9 Rezitativ und Arie: »Abscheulicher! Wo eilst du hin?« … »Komm, Hoffnung, lass den letzten Stern« (Leonore)

Fidelio, op. 72: Akt I. »Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel« (Jaquino)

Fidelio, op. 72: Akt I. Nr. 10 Finale I: »O welche Lust, in freier Luft den Atem leicht zu heben!« (Gefangene, Erster Gefangener, Zweiter Gefangener)

Fidelio, op. 72: Akt I. Nr. 10 Finale I: [Rezitativ und Duett]: »Nun sprecht, wie ging's?« … »Noch heute! Noch heute!« (Leonore, Rocco)

Fidelio, op. 72: Akt I. Nr. 10 Finale I: »Ach, Vater, Vater eilt!« (Marzelline, Rocco, Jaquino, Leonore)

Fidelio, op. 72: Akt I. Nr. 10 Finale I: »Verwegner Alter!« (Pizarro, Rocco)

Fidelio, op. 72: Akt I. Nr. 10 Finale I: »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)

Fidelio op. 72: Akt II. Nr. 11 Introduktion und Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan)

Fidelio op. 72: Akt II. Nr. 12 Melodram und Duett: »Wie kalt ist es diesem unterirdischen Gewölbe!« … »Nur hurtig fort, nur frisch gegraben« (Leonore, Rocco)

Fidelio op. 72: Akt II. »Ihr habt wieder geruht?« (Rocco, Florestan, Leonore)

Fidelio op. 72: Akt II. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore)

Fidelio op. 72: Akt II. »Ist alles bereit?« (Pizarro, Rocco)

Fidelio op. 72: Akt II. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco)

Fidelio op. 72: Akt II. Nr. 15 Duett: »O namenlose Freude!« (Leonore, Florestan)

Fidelio op. 72: Akt II. Nr. 16 Finale II: »Heil sei dem Tag« … »Des besten Königs Wink und Wille« … »Wer ein holdes Weib errungen« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino)

Overture Leonore I, op. 138

Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "O welch ein Leben!". Allegretto

Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "Soll ein Schuh nicht drücken". Andante con moto

Scene (One) from "Vesta's Fire", Hess 115

“Germania”, WoO 94: Final number from “The Good News” for bass, chorus and orchestra

“Es ist vollbracht”, WoO 97: Final number from “The Triumphal Arches” for bass, chorus and orchestra. Risoluto

Piano Sonatas, op. 2 no. 1 in F minor: I. Allegro

Piano Sonatas, op. 2 no. 1 in F minor: II. Adagio

Piano Sonatas, op. 2 no. 1 in F minor: III. Menuetto. Allegretto

Piano Sonatas, op. 2 no. 1 in F minor: IV. Prestissimo

Piano Sonatas, op. 2 no. 2 in A major: I. Allegro vivace

Piano Sonatas, op. 2 no. 2 in A major: II. Largo appassionato

Piano Sonatas, op. 2 no. 2 in A major: III. Scherzo. Allegretto

Piano Sonatas, op. 2 no. 2 in A major: IV. Rondo. Grazioso

Piano Sonatas, op. 2 no. 3 in C major: I. Allegro con brio

Piano Sonatas, op. 2 no. 3 in C major: II. Adagio

Piano Sonatas, op. 2 no. 3 in C major: III. Scherzo. Allegro

Piano Sonatas, op. 2 no. 3 in C major: IV. Allegro assai

Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio

Piano Sonata no. 4 in E-flat major, op. 7: II. Largo con gran espressione

Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro - Minore - Allegro

Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso

Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio

Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Largo, con gran espressione

Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo

Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro

Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto

Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto

Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave - Allegro di molto e con brio

Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio cantabile

Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo. Allegro

Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto

Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto

Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto, Allegro

Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo, Allegro

Piano Sonata No. 9 in E major, Op. 14 No. 1: I. Allegro

Piano Sonata No. 9 in E major, Op. 14 No. 1: II. Allegretto

Piano Sonata No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo

Sonata No. 10 in G major, Op. 14 No. 2: I. Allegro

Sonata No. 10 in G major, Op. 14 No. 2: II. Andante

Sonata No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai

Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio

Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione

Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto

Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto

Piano Sonata No. 12 in A-flat major, Op. 26: I. Andante con variazioni

Piano Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto

Piano Sonata No. 12 in A-flat major, Op. 26: III. Marcia funebre sulla morte d’un eroe

Piano Sonata No. 12 in A-flat major, Op. 26: IV. Allegro

Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante - Allegro - Tempo I

Piano Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace

Piano Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione

Piano Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace - Presto

Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto

Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto

Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato

Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro

Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante

Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro assai

Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo

Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante

Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro

Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace

Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso

Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto

Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": I. Largo - Allegro

Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": II. Adagio

Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Storm": III. Allegretto

Piano Sonata in E-flat, op. 31 no. 3 "Hunt": I. Allegro

Piano Sonata in E-flat, op. 31 no. 3 "Hunt": II. Scherzo. Allegretto vivace

Piano Sonata in E-flat, op. 31 no. 3 "Hunt": III. Menuetto. Moderato e grazioso

Piano Sonata in E-flat, op. 31 no. 3 "Hunt": IV. Presto con fuoco

Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo

Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto

Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio

Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto

Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo

Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto

Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto

Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai

Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto

Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo

Sonata no. 24 in F-sharp, op. 78: I. Adagio cantabile - Allegro ma non troppo

Sonata no. 24 in F-sharp, op. 78: II. Allegro vivace

Sonata no. 25 in G, op. 79: I. Presto alla tedesca

Sonata no. 25 in G, op. 79: II. Andante

Sonata no. 25 in G, op. 79: III. Vivace

Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro

Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo

Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente

Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier” : II. Scherzo (Assai vivace – Presto – Prestissimo – Tempo I)

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto – Appassionato e con molto sentimento

Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo – Allegro resoluto

Piano Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)

Piano Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia)

Piano Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto)

Piano Sonata no. 28 in A, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro)

Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro

Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)

Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto

Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto

Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I

Piano Sonata no. 30 in E major, op. 109: II. Prestissimo

Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)

Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo

Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto

Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo - Fuga (Allegro ma non troppo)

Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato

Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile)

Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio

Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile

Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio

Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto

Sonata for Piano no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio

Sonata for Piano no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto

Sonata for Piano no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo

Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro

Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto

Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo

Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 1. Das Lebewohl / Les Adieux

Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 2. Abwesenheit / L'Absence

Piano Sonata No. 26 in E flat major "Les Adieux", op. 81a: 3. Das Wiedersehen / Le Retour

Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro

Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace

Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto

Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo: Allegro risoluto

Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo - Tempo I

Piano Sonata no. 30 in E major, op. 109: II. Prestissimo

Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo

Piano Sonata no. 30 in E major, op. 109: IV. Variation I. Molto espressivo

Piano Sonata no. 30 in E major, op. 109: V. Variation II. Leggiermente

Piano Sonata no. 30 in E major, op. 109: VI. Variation III. Allegro vivace

Piano Sonata no. 30 in E major, op. 109: VII. Variation IV. Etwas langsamer als das Thema

Piano Sonata no. 30 in E major, op. 109: VIII. Variation V. Allegro, ma non troppo

Piano Sonata no. 30 in E major, op. 109: IX. Variation VI. Tempo I del tema

Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo

Sonata no. 31 in A-flat, op. 110: II. Allegro molto

Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente -

Sonata no. 31 in A-flat, op. 110: III. Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga

Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato

Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile - L'istesso tempo

7 Bagatelles, op. 33: I. Andante grazioso, quasi Allegretto

7 Bagatelles, op. 33: II. Scherzo (Allegro)

7 Bagatelles, op. 33: III. Allegretto

7 Bagatelles, op. 33: IV. Andante

7 Bagatelles, op. 33: V. Allegro, ma non troppo

7 Bagatelles, op. 33: VI. Allegretto quasi Andante

7 Bagatelles, op. 33: VII. Presto

11 Bagatelles, Op. 119: Allegretto

11 Bagatelles, Op. 119: Andante con moto

11 Bagatelles, Op. 119: A l'Allemande

11 Bagatelles, Op. 119: Andante cantabile

11 Bagatelles, Op. 119: Risoluto

11 Bagatelles, Op. 119: Andante - Allegretto leggiermente

11 Bagatelles, Op. 119: Allegro ma non troppo

11 Bagatelles, Op. 119: Moderato cantabile

11 Bagatelles, Op. 119: Vivace moderato

11 Bagatelles, Op. 119: Allegramente

11 Bagatelles, Op. 119: Andante, ma non troppo

6 Bagatelles, op. 126: 1. Andante con moto

6 Bagatelles, op. 126: 2. Allegro

6 Bagatelles, op. 126: 3. Andante

6 Bagatelles, op. 126: 4. Presto

6 Bagatelles, op. 126: 5. Quasi allegretto

6 Bagatelles, op. 126:6. Presto - Andante amabile e con moto

Bagatelle in C major, WoO 56: Allegretto

Bagatelle no. 25 in A minor, WoO 59 “Für Elise”

“Lustig-Traurig” for Piano in C major, WoO 54

Piece for Piano in B-flat major, WoO 60

Allemande for Piano in A major, WoO 81

Allegretto for Piano in C minor, Hess 69

Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": I. Allegro cantabile

Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": II. Andante

Piano Sonata in E-flat major, WoO 47 No. 1 "Kurfürsten-Sonata": III. Rondo vivace

Piano Sonata in F minor, WoO 47 No. 2: I. Larghetto maestoso - Allegro assai

Piano Sonata in F minor, WoO 47 No. 2: II. Andante

Piano Sonata in F minor, WoO 47 No. 2: III. Presto

Sonata for Piano, WoO 47 no. 3 in D major: I. Allegro

Sonata for Piano, WoO 47 no. 3 in D major: II. Menuetto. Sostenuto - Var. I-VI

Sonata for Piano, WoO 47 no. 3 in D major: III. Scherzando. Allegro, ma non troppo

Rondo in C major, WoO 48: Allegretto

Rondo in A major, WoO 49: Allegretto

Sonata for Piano in F major, WoO 50: I. ()

Sonata for Piano in F major, WoO 50: II. Allegretto

Sonata for Piano in C major, WoO 51: I. Allegro

Sonata for Piano in C major, WoO 51: II. Adagio

Bagatelle in C minor, WoO 52: Presto

Allegretto for Piano in C minor, WoO 53

Andante favori in F major, WoO 57: Andante grazioso con moto

Rondo a Capriccio G-Dur, op. 129 »Die Wut über den verlorenen Groschen«

Rondo in C major, op. 51 no. 1

Rondo in G major, op. 51 no. 2

Fantasia for Piano in G minor, op. 77: Allegro - Poco Adagio

Polonaise in C, op. 89

6 Minuets for Piano, WoO 10 no. 1 in C major

6 Minuets for Piano, WoO 10 no. 2 in G major

6 Minuets for Piano, WoO 10 no. 3 in E‐flat major

6 Minuets for Piano, WoO 10 no. 4 in B‐flat major

6 Minuets for Piano, WoO 10 no. 4 in B‐flat major

6 Minuets for Piano, WoO 10 no. 6 in C major

7 Ländler for Piano in D major, WoO 11

12 German Dances for Piano, WoO 13 nos. 1-12

Prelude for Piano in F minor, WoO 55

Allegretto for Piano in B minor, WoO 61

Allegretto for Piano in G minor, WoO 61a

Minuet for Piano in E-flat major, WoO 82: Moderato

6 Ecossaises in E-flat major, WoO 83

Waltz for Piano in E-flat major, WoO 84

Waltz for Piano in D major, WoO 85

Ecossaise for Piano in E‐flat major, WoO 86

Fugue for Piano in C major, Hess 64

Minuet in C, WoO 218 [Biamonti 74]

9 Variations for Piano on a March by Ernst Christoph Dressler in C minor, WoO 63: Thema. Maestoso - Var. I-IX

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Thema. Allegretto

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. I

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. II

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. III

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. IV

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. V

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VI

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VIII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. IX

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. X

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XI

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XIII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XIV. Allegretto - Adagio

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XV

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XVI

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XVII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XVIII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XIX

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XX. Scherzando

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXI

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXII

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXIII. Adagio sostenuto

24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXIV. Allegro - Allegro stringendo - Presto assai

13 Variations for Piano in A major on the Arietta “Es war einmal ein alter Mann” from Dittersdorf’s Singspiel “Das rote Käppchen”, WoO 66

6 Variations for Piano on a Swiss Song in F major, WoO 64: Thema. Andante con moto - Var. I-VI

12 Variations for Piano on the “Menuett à la Viganò” from Jakob Haibel's ballet “Le nozze disturbate” in C major, WoO 68: Thema. Allegretto - Var. I-XI - Var. XII. Allegro - Adagio

9 Variations for Piano in A major on the Aria “Quant’è più bello” from Giovanni Paisello’s opera “La molinara”, WoO 69

6 Variations for Piano on the Duet “Nel cor più non mi sento” from Giovanni Paisiello’s opera “La molinara” in G major, WoO 70: Thema. (Andantino) - Var. I-VI

12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71

8 Variations for Piano in C major on the Romance “Une fièvre brulante” from Grétry’s opera “Richard Cœur de Lion”, WoO 72

10 Variations for Piano in B-flat major on the Duet “La stessa, la stessissima” from Antonio Salieri’s opera “Falstaff”, WoO 73

7 Variations for Piano in F major on the Quartet “Kind, willst du ruhig schlafen?” from Peter Winter’s opera “Das unterbrochene Opferfest”, WoO 75

8 Variations for Piano in F major on the Trio “Tändeln und Scherzen” from Franz X. Süssmayr’s opera “Soliman II”, WoO 76

6 Easy Variations for Piano in G major on an Original Theme, WoO 77

6 Variations for Piano on an Original Theme in F major, op. 34: Thema. Adagio. Cantabile

6 Variations for Piano on an Original Theme in F major, op. 34: Var. I

6 Variations for Piano on an Original Theme in F major, op. 34: Var II. Allegro ma non troppo

6 Variations for Piano on an Original Theme in F major, op. 34: Var III. Allegretto

6 Variations for Piano on an Original Theme in F major, op. 34: Var. IV. Tempo di menuetto

6 Variations for Piano on an Original Theme in F major, op. 34: Var. V. Marcia. Allegretto

6 Variations for Piano on an Original Theme in F major, op. 34: Var. VI. Allegretto - Adagio molto

15 Variations and a Fugue for Piano in E‐flat major on an Original Theme, op. 35 “Eroica Variations”: Introduzione col basso del tema. Allegretto vivace

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Tema

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. I

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. II

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. III

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IV

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. V

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VI

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VII. Canone all’ottava

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. VIII

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. IX

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. X

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XI

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XII

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIII

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XIV

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Var. XV. Largo

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Coda

15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 “Eroica Variations”: Finale. Alla Fuga. Allegro con brio - Andante con moto

32 Variations (in c) on an Original Theme, WoO 80: Thema. Allegretto / Var. I-XI / Var. XII-XVI Maggiore / Var. XVII-XXXII Minore

7 Variations for Piano in C major on “God Save the King”, WoO 78

5 Variations for Piano in D major on “Rule Britannia” from Thomas Arne’s masque “Alfred”, WoO 79

6 Variations for Piano in D major on an Original Theme, op. 76

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Tema (Vivace), Variation I (Alla marcia maestoso)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation II (Poco allegro)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation III (L’istesso tempo)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IV (Un poco più vivace)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation V (Allegro vivace)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VI (Allegro ma non troppo e serioso)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VII (Un poco più allegro)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation VIII (Poco vivace)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation IX (Allegro pesante e risoluto)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation X (Presto)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XI (Allegretto)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XII (Un poco più moto)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIII (Vivace)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIV (Grave e maestoso)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XV (Presto scherzando)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVI (Allegro)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVII

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XVIII (Poco moderato)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XIX (Presto)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XX (Andante)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXI (Allegro con brio - Meno allegro - Tempo I)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXII (Allegro molto): Alla “Notte e giorno faticar” di Mozart

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIII (Allegro assai)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIV: Fughetta (Andante)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXV (Allegro)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVII (Vivace)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVIII (Allegro)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXIX (Adagio ma non troppo)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXX (Andante, sempre cantabile)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXI (Largo, molto espressivo)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXII: Fuga (Allegro poco adagio)

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro)

Diabelli Variations, op. 120: Tema: Vivace / I. Alla marcia maestoso

Diabelli Variations, op. 120: II. Poco allegro

Diabelli Variations, op. 120: III. L'istesso tempo

Diabelli Variations, op. 120: IV. Un poco più vivace

Diabelli Variations, op. 120: V. Allegro vivace

Diabelli Variations, op. 120: VI. Allegro ma non troppo e serioso

Diabelli Variations, op. 120: VII. Un poco più allegro

Diabelli Variations, op. 120: VIII. Poco vivace

Diabelli Variations, op. 120: IX. Allegro pesante e risoluto

Diabelli Variations, op. 120: X. Presto

Diabelli Variations, op. 120: XI. Allegretto

Diabelli Variations, op. 120: XII. Un poco più moto

Diabelli Variations, op. 120: XIII. Vivace

Diabelli Variations, op. 120: XIV. Grave e maestoso

Diabelli Variations, op. 120: XV. Presto scherzando

Diabelli Variations, op. 120: XVI. Allegro

Diabelli Variations, op. 120: XVII. Allegro

Diabelli Variations, op. 120: XVIII. Poco moderato

Diabelli Variations, op. 120: XIX. Presto

Diabelli Variations, op. 120: XX. Andante

Diabelli Variations, op. 120: XXI. Allegro con brio - Meno allegro

Diabelli Variations, op. 120: XXII. Allegro molto (alla "Notte e giorno faticar" di Mozart)

Diabelli Variations, op. 120: XXIII. Allegro assai

Diabelli Variations, op. 120: XXIV. Fughetta: Andante

Diabelli Variations, op. 120: XXV. Allegro

Diabelli Variations, op. 120: XXVI. Piacevole

Diabelli Variations, op. 120: XXVII. Vivace

Diabelli Variations, op. 120: XXVIII. Allegro

Diabelli Variations, op. 120: XXIX. Adagio ma non troppo

Diabelli Variations, op. 120: XXX. Andante sempre cantabile.

Diabelli Variations, op. 120: XXXI. Largo, molto espressivo

Diabelli Variations, op. 120: XXXII. Fuga: Allegro - Poco adagio

Diabelli Variations, op. 120: XXXIII. Tempo di minuetto moderato

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": I. Introduzione col Basso del Tema: Allegretto vivace

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": III. Variation 1

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IV. Variation 2

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": V. Variation 3

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VI. Variation 4

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VII. Variation 5

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VIII. Variation 6

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IX. Variation 7 Canone all'Ottava

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": X. Variation 8

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1I. Variation 9

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1II. Variation 10

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1III. Variation 11

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1IV. Variation 12

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1V. Variation 13

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VI. Variation 14 minore

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VII. Variation 15 Maggiore. Largo

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VIII. Finale. Alla Fuga. Allegro con brio

Acht Variationen über ein Thema des Grafen von Waldstein, WoO 67

Sonata in D, op. 6: I. Allegro molto

Sonata in D, op. 6: II. Ronda. Moderato

3 Marches for 2 Pianos, op. 45 no. 1 in C major: Allegro, ma non troppo

3 Marches for 2 Pianos, op. 45 no. 2 in E-flat major: Vivace

3 Marches for 2 Pianos, op. 45 no. 3 in D major: Vivace

Große Fugue for 2 Pianos in B-flat major, op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. Allegro - Meno mosso e moderato - Allegro molto e con brio

6 Variations for Piano in D major on the lied “Ich denke dein”, WoO 74: Lied. Andantino cantabile

2 Preludes for Organ, op. 39 no. 1 in C major

2 Preludes for Organ, op. 39 no. 2 in C minor

Fugue for Organ in D major, WoO 31

5 Pieces for Mechanical Clock, WoO 33 no. 1 in F major: Adagio assai

5 Pieces for Mechanical Clock, WoO 33 no. 2 in G major: Scherzo. Allegro

5 Pieces for Mechanical Clock, WoO 33 no. 3 in G major: Allegro

5 Pieces for Mechanical Clock, WoO 33 no. 4 in C major: Allegro non più molto

5 Pieces for Mechanical Clock, WoO 33 no. 5 in C major: Menuett. Allegretto

Grenadier March for Mechanical Clock in F major, Hess 107

Variations on a Swiss Air, WoO 64

Sonata no. 1 in D major, op. 12 no. 1: I. Allegro con brio

Sonata no. 1 in D major, op. 12 no. 1: II. Tema con Variazioni. Andante con moto

Sonata no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro

Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace

Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto allegretto

Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacèvole

Sonata no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito

Sonata no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione

Sonata no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto

Sonate Nr. 4 a-Moll, op. 23: I. Presto

Sonate Nr. 4 a-Moll, op. 23: II. Andante scherzoso, più allegretto

Sonate Nr. 4 a-Moll, op. 23: III. Allegro molto

Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro

Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo

Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo & Trio: Allegro molto

Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo

Violin Sonata no. 6 in A major, op. 30 no. 1: I. Allegro

Violin Sonata no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo

Violin Sonata no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni

12 Variations on "Se vuol ballare" from Mozart's "Le Nozze di Figaro" for Violin and Piano in F major, WoO 40: Tema. Allegretto - Variazioni I - XII - Coda

Rondo for Piano and Violin in G major, WoO 41

Sechs Deutsche Tänze (Allemandes), WoO 42

Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: I. Allegro con brio

Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile

Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro - Trio

Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro, Presto

Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto – Presto

Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: II. Andante con Variazioni (I–IV)

Sonata for Piano and Violin no. 9 in A major, op. 47 “Kreutzer”: III. Presto

Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: I. Allegro assai

Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso

Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace

Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto

Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni

Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto

Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato

Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo

Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro

Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante

12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro

Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-i. Adagio sostenuto

Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-ii. Allegro

Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I-iii. Adagio - Presto - Tempo primo

Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Allegro vivace

Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-i. Adagio sostenuto e espressivo

Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto

Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 2: Variation II

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 5: Variation V. Si prenda il tempo un poco più vivace

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 6: Variation VI. Adagio

7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 7: Variation VII. Allegro ma non troppo

Sonata for Piano and Cello no. 3 in A major, op. 69: I. Allegro ma non tanto

Sonata for Piano and Cello no. 3 in A major, op. 69: II. Scherzo. Allegro molto

Sonata for Piano and Cello no. 3 in A major, op. 69: III. Adagio cantabile

Sonata for Piano and Cello no. 3 in A major, op. 69: IV. Allegro vivace

Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante

Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Allegro vivace

Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: III. Adagio

Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: IV. Allegro vivace

Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio

Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca

Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Thema: Allegretto

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation I

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation II

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation III

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation IV

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation V

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VI

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VII

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VIII

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation IX

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation X: Allegro

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio

Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XII: Allegro

Air écossais for Flute and Piano, Op. 105 No. 1 in G major "The Cottage Maid": Tema. Andantno quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I

Air écossais for Flute and Piano, Op. 105 No. 2 in C minor "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro

Air autrichien for Flute and Piano, Op. 105 No. 3 in C major "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto

Air écossais for Flute and Piano, Op. 105 No. 4 in E-flat major "The Last Rose of Summer": Tema. Andante espressivo assai - Var. I-III

Air écossais for Flute and Piano, Op. 105 No. 5 in E-flat major "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai

Air écossais for Flute and Piano, Op. 105 No. 6 in D major "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV

Air tirolien for Flute and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro

Air écossais for Flute and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro

Volkslied aus Kleinrussland for Flute and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I

Air écossais for Flute and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I

Air tirolien for Flute and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro

Air écossais for Flute and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante commodo - Var. I-III - Var. IV. Vivace

Air russe for Flute and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace

Air écossais for Flute and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai

Air écossais for Flute and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace

Air écossais for Flute and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro

Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio

Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi Allegretto

Horn Sonata in F major, op. 17: I. Allegro moderato

Horn Sonata in F major, op. 17: II. Poco adagio, quasi andante

Horn Sonata in F major, op. 17: III. Rondo: Allegro moderato

Sonatina for Mandolin and Piano in C minor, WoO 43a: Adagio

Adagio for Mandolin and Piano in E-flat major, WoO 43b: Adagio (ma non troppo)

Sonatina for Mandolin and Klavier in C major, WoO 44a: Allegro

Variations in D major for Mandolin and Piano, WoO 44b: Andante

Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro

Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Allegretto

Duet for 2 Violins in A major, WoO 34

Canon (probably for 2 Violins) in A major, WoO 35

Sonate fuer Klavier und Violoncello F-Dur op. 17: 1. Allegro moderato

Sonate fuer Klavier und Violoncello F-Dur op. 17: 2. Poco adagio quasi andante

Sonate fuer Klavier und Violoncello F-Dur op. 17: 3. Rondo (Allegro moderato)

Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato

Trio for Piano, Violin, and Cello in E‐flat major, WoO 38: II. Scherzo. Allegro ma non troppo

Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto

Piano Trio No. 1 in E-flat major, Op. 1 No. 1: I. Allegro

Piano Trio No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile

Piano Trio No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo: Allegro assai

Piano Trio No. 1 in E-flat major, Op. 1 No. 1: IV. Finale: Presto

Piano Trio No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace

Piano Trio No. 2 in G major, Op. 1 No. 2: II. Largo con espressione

Piano Trio No. 2 in G major, Op. 1 No. 2: III. Scherzo: Allegro

Piano Trio No. 2 in G major, Op. 1 No. 2: IV. Finale: Presto

Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48

Piano Trio No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio

Piano Trio No. 3 in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni

Piano Trio No. 3 in C minor, Op. 1 No. 3: III. Menuetto: Quasi allegro

Piano Trio No. 3 in C minor, Op. 1 No. 3: IV. Finale: Prestissimo

Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": I. Allegro vivace e con brio

Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": II. Largo assai ed espressivo

Piano Trio no. 5 in D major, op. 70 no. 1 "Ghost": III. Presto

Piano Trio No. 6 in E-flat major, Op. 70 No. 2: I. Poco sostenuto - Allegro ma non troppo

Piano Trio No. 6 in E-flat major, Op. 70 No. 2: II. Allegretto

Piano Trio No. 6 in E-flat major, Op. 70 No. 2: III: Allegretto ma non troppo

Piano Trio No. 6 in E-flat major, Op. 70 No. 2: IV. - Finale: Allegro

14 Variations for Piano, Violin, and Cello in E-flat major, op. 44: Thema. Andante - Var. I-IV - Andante

10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller’s Lied “Ich bin der Schneider Kakadu”, op. 121a: Introduzione. Adagio assai – Tema. Allegretto – Var. I–X – Allegretto

Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39

Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: I. Allegro moderato

Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: II. Scherzo. Allegro

Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: III. Andante cantabile ma però con moto

Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: IV. Allegro moderato

Piano Trio no. 4 in B-flat major, op. 11 "Gassenhauer": I. Allegro con brio

Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio

Piano Trio no. 4 in B-flat major, op. 11 "Gassenhauer": III. Tema con variazioni: Adagio

Piano Trio in E-flat major, Op. 38 (after Septet, Op. 20): I. Adagio - Allegro con brio

Piano Trio in E-flat major, Op. 38 (after Septet, Op. 20): II. Adagio cantabile

Piano Trio in E-flat major, Op. 38 (after Septet, Op. 20): III. Tempo di menuetto

Piano Trio in E-flat major, Op. 38 (after Septet, Op. 20): IV. Andante con variazioni

Piano Trio in E-flat major, Op. 38 (after Septet, Op. 20): V. Scherzo: Allegro molto e vivace

Piano Trio in E-flat major, Op. 38 (after Septet, Op. 20): VI. Andante con moto alla marcia - Presto

Trio for Piano, Clarinet, and Cello in B-flat major, op. 11: I. Allegro con brio

Trio for Piano, Clarinet, and Cello in B-flat major, op. 11: II. Adagio

Trio for Piano, Clarinet, and Cello in B-flat major, op. 11: III. Tema "Pria ch'io l'impegno". Allegretto - Allegro

Trio WoO 37 in G major for Piano, Flute and Basson: 1. Allegro

Trio WoO 37 in G major for Piano, Flute and Basson: 2. Adagio

Trio WoO 37 in G major for Piano, Flute and Basson: 3. Thema andante con variazioni

Trio for 2 Oboes and English Horn in C major, Op. 87: I. Allegro

Trio for 2 Oboes and English Horn in C major, Op. 87: II. Adagio cantabile

Trio for 2 Oboes and English Horn in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo

Trio for 2 Oboes and English Horn in C major, Op. 87: IV. Finale. Presto

Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28

Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio

Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante

Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto

Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio

Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato

Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro

Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio

Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto - Trio - Coda

Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio

Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca

Serenade for Violin, Viola, and Cello in D major, op. 8: V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro

Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio

Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile

Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro

Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto

Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto

Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi allegretto

Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro

Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro

Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito

Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione

Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace

Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto

Serenade for Flute, Violin, and Viola in D major, Op. 25: I. Entrada. Allegro

Serenade for Flute, Violin, and Viola in D major, Op. 25: II. Tempo ordinario d'un Minuetto

Serenade for Flute, Violin, and Viola in D major, Op. 25: III. Allegro molto

Serenade for Flute, Violin, and Viola in D major, Op. 25: IV. Andante con Variazioni

Serenade for Flute, Violin, and Viola in D major, Op. 25: V. Allegro scherzando e vivace

Serenade for Flute, Violin, and Viola in D major, Op. 25: VI. Adagio - Allegro vivace e disinvolto

Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: I. Prelude

Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: II. Fugue

Minuet for 2 Violins and Bass, WoO 9 No. 1 in E-flat major

Minuet for 2 Violins and Bass, WoO 9 No. 2 in G major

Minuet for 2 Violins and Bass, WoO 9 No. 3 in C major

Minuet for 2 Violins and Bass, WoO 9 No. 4 in F major

Minuet for 2 Violins and Bass, WoO 9 No. 5 in D major

Minuet for 2 Violins and Bass, WoO 9 No. 6 in G major

Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major

Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major

Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major

Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor

Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D minor

Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D minor

String Quartet no. 3 in D major, op. 18 no. 3: I. Allegro

String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto

String Quartet no. 3 in D major, op. 18 no. 3: III. Allegro

String Quartet no. 3 in D major, op. 18 no. 3: IV. Presto

String Quartet no. 1 in F major, op. 18 no. 1: I. Allegro con brio

String Quartet no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato

String Quartet no. 1 in F major, op. 18 no. 1: III. Scherzo: Allegro molto

String Quartet no. 1 in F major, op. 18 no. 1: IV. Allegro

String Quartet no. 2 in G major, op. 18 no. 2: I. Allegro

String Quartet no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I

String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo: Allegro

String Quartet no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi presto

String Quartet no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto

String Quartet no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto

String Quartet no. 4 in C minor, op. 18 no. 4: III. Menuetto: Allegretto

String Quartet no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo

String Quartet no. 5 in A major, op. 18 no. 5: I. Allegro

String Quartet no. 5 in A major, op. 18 no. 5: II. Menuetto

String Quartet no. 5 in A major, op. 18 no. 5: III. Andante cantabile

String Quartet no. 5 in A major, op. 18 no. 5: IV. Allegro

String Quartet no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio

String Quartet no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo

String Quartet no. 6 in B-flat major, op. 18 no. 6: III. Scherzo: Allegro

String Quartet no. 6 in B-flat major, op. 18 no. 6: IV. "La Malinconia": Adagio - Allegretto quasi allegro

String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: I. Allegro

String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: II. Allegretto vivace e sempre scherzando

String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: III. Adagio molto e mesto - attacca-

String Quartet no. 7 in F major, op. 59 "Razumovsky" no. 1: IV. "Theme russe": Allegro

String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: I. Allegro

String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: II. Molto Adagio: Si tratta questo pezzo con molto di sentimento

String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: III. Allegretto - Maggiore ("Theme russe")

String Quartet no. 8 in E minor, op. 59 "Razumovsky" no. 2: IV. Finale: Presto

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: I. Introduzione: Andante con moto - Allegro vivace

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: II. Andante con moto quasi allegretto

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: III. Menuetto grazioso - attacca

String Quartet no. 9 in C major, op. 59 "Razumovsky" no. 3: IV. Allegro molto

String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro

String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo

String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto - Piu presto quasi prestissimo - attacca

String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni

String Quartet in F minor, op. 95: I. Allegro con brio

String Quartet in F minor, op. 95: II. Allegretto ma non troppo

String Quartet in F minor, op. 95: III. Allegro assai vivace ma serioso

String Quartet in F minor, op. 95: IV. Larghetto espressivo-Allegretto agitato-Allegro

String Quartet in B-flat major, op. 130: I. Allegro ma non troppo - Allegro

String Quartet in B-flat major, op. 130: II. Presto

String Quartet in B-flat major, op. 130: III. Andante con moto, ma non troppo

String Quartet in B-flat major, op. 130: IV. Alla danza tedesca: Allegro assai

String Quartet in B-flat major, op. 130: V. Cavatina: Adagio molto espressivo

Große Fuge, op. 133: Overtura: Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto con brio - Allegro

String Quartet in B-flat major, op. 130: VI. Finale: Allegro

String Quartet in E-flat major, op. 127: I. Maestoso - Allegro

String Quartet in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante

String Quartet in E-flat major, op. 127: III. Scherzo: Vivace

String Quartet in E-flat major, op. 127: IV. Allegro - Allegro comodo

String Quartet in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo

String Quartet in C-sharp minor, op. 131: II. Allegro molto vivace

String Quartet in C-sharp minor, op. 131: III. Allegro moderato

String Quartet in C-sharp minor, op. 131: IV. Andante, ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto

String Quartet in C-sharp minor, op. 131: V. Presto

String Quartet in C-sharp minor, op. 131: VI. Adagio quasi un poco andante

String Quartet in C-sharp minor, op. 131: VII. Allegro

String Quartet in A minor, op. 132: I. Allegro sostenuto - Allegro

String Quartet in A minor, op. 132: II. Allegro ma non tanto

String Quartet in A minor, op. 132: III. "Heiliger Dankgesang eines Genesenen in der lydischen Tonart": Molto adagio - "Neue Kraft fühlend": Andante - Molto adagio - Andante - Molto adagio (Mit innigster Empfindung)

String Quartet in A minor, op. 132: IV. Alla marcia, assai vivace - Più Allegro

String Quartet in A minor, op. 132: V. Allegro appassionato - Presto

String Quartet in F major, op. 135: I. Allegretto

String Quartet in F major, op. 135: II. Vivace

String Quartet in F major, op. 135: III. Lento assai e cantate tranquillo

String Quartet in F major, op. 135: IV. “Der schwer gefaßte Entschluß”. Grave, ma non troppo tratto – “Muß es sein?”. Allegro – “Es muß sein!”. Grave, ma non troppo tratto – Allegro

Streichquartett Es-dur, op. 127: Maestoso - Allegro

Streichquartett Es-dur, op. 127: Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I

Streichquartett Es-dur, op. 127: Scherzo, vivace

Streichquartett Es-dur, op. 127: Allegro - Allegro comodo

Streichquartett A-moll, op. 132: Assai sostenuto - Allegro

Streichquartett A-moll, op. 132: Allegro ma non tanto

Streichquartett A-moll, op. 132: Andante - Molto adagio - Andante - Molto adagio

Streichquartett A-moll, op. 132: Alla marcia, assai vivace - pìu allegro - attacca

Streichquartett A-moll, op. 132: Allegro appassionato - Presto

String Quartet in B-flat, op. 130: 1. Adagio ma non troppo - Allegro

String Quartet in B-flat, op. 130: 2. Presto

String Quartet in B-flat, op. 130: 3. Andante con moto ma non troppo. Poco scherzando

String Quartet in B-flat, op. 130: 4. Alla danza tedesca (Allegro assai)

String Quartet in B-flat, op. 130: 5. Cavatina (Adagio molto espressivo)

String Quartet in B-flat, op. 130: Grande Fugue op. 133 (original finale)

String Quartet no. 14 in c-sharp, op. 131: I. Adagio, ma non troppo e molto espressivo - attacca:

String Quartet no. 14 in c-sharp, op. 131: II. Allegro molto vivace - attacca:

String Quartet no. 14 in c-sharp, op. 131: III. Allegro moderato - attacca:

String Quartet no. 14 in c-sharp, op. 131: IV. Andante, ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto - attacca:

String Quartet no. 14 in c-sharp, op. 131: V. Presto - Molto poco adagio - attacca:

String Quartet no. 14 in c-sharp, op. 131: VI. Adagio quasi un poco andante - attacca:

String Quartet no. 14 in c-sharp, op. 131: VII. Allegro

String Quartet in F minor, op. 135: I. Allegretto

String Quartet in F minor, op. 135: II. Vivace

String Quartet in F minor, op. 135: III. Lento assai, cantante e tranquillo

String Quartet in F minor, op. 135: IV. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro)

Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio

Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto

Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro

Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto

Minuet for 2 Violins, Viola, and Cello in A-flat major, Hess 33

Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato

Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto

Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): III. Allegro

Prelude & Fugue in F major, H30: I. Prelude

Prelude & Fugue in F major, H30: II. Fugue

Prelude & Fugue in C major, H31: I. Prelude

Prelude & Fugue in C major, H31: II. Fugue

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione

Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro

Three Equali for 4 Trombones, WoO 30: I. Andante

Three Equali for 4 Trombones, WoO 30: II. Poco adagio

Three Equali for 4 Trombones, WoO 30: III. Poco sostenuto

Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: I. Allegro moderato

Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: II. Adagio molto espressivo

Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: III. Scherzo. Allegro

Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: IV. Presto

Fugue in D major for 2 Violins, 2 Violas, and Cello, Op. 137: Allegretto

Prelude and Fugue Fragment for String Quintet in D minor, H40 (1817, incomplete)

Fugue in b-flat for String Quintet, Hess 38 (Arranged from Bach's “Well-Tempered Clavier”)

Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo

Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: II. Andante cantabile

Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: III. Rondo. Allegro ma non troppo

Quintet for Oboe, 3 Horns and Bassoon in E-flat, WoO 208 [Hess 19] (Fragment, completed by Leopold Zellner): I. Allegro

Quintet for Oboe, 3 Horns and Bassoon in E-flat, WoO 208 [Hess 19] (Fragment, completed by Leopold Zellner): II. Adagio mesto

Quintet for Oboe, 3 Horns and Bassoon in E-flat, WoO 208 [Hess 19] (Fragment, completed by Leopold Zellner): III. Menuetto

String Quintet in E‐flat major, op. 4: I. Allegro con brio

String Quintet in E‐flat major, op. 4: II. Andante

String Quintet in E‐flat major, op. 4: III. Menuetto Allegretto

String Quintet in E‐flat major, op. 4: IV. Presto

String Quintet in c, op. 104 (Arrangement of Piano Trio op. 1 no. 3; revised 1817): I. Allegro con brio

String Quintet in c, op. 104 (Arrangement of Piano Trio op. 1 no. 3; revised 1817): II. Andante cantabile con Variazioni

String Quintet in c, op. 104 (Arrangement of Piano Trio op. 1 no. 3; revised 1817): III. Menuetto. Quasi Allegro

String Quintet in c, op. 104 (Arrangement of Piano Trio op. 1 no. 3; revised 1817): IV. Finale. Prestissimo

Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro

Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio

Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi Allegretto

Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondo. Allegro

March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29

Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Allegro con brio

Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Adagio

Sextet in E-flat, op. 81b for 2 Violins, Viola, Cello and 2 Horns: Rondo (Allegro)

Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20: I. Adagio - Allegro con brio

Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20: II. Adagio cantabile

Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20: III. Tempo di Menuetto

Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20: IV. Tema (Andante) con Variazioni

Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20: V. Scherzo. Allegro molto e vivace

Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20: VI. Andante con moto alla Marcia - Presto

Octet for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, op. 103: I. Allegro

Octet for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, op. 103: II. Andante

Octet for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, op. 103: III. Menuetto

Octet for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, op. 103: IV. Finale. Presto

Rondo for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, WoO 25 (Rondino): Andante

An die Hoffnung, op. 32 (version 1)

Adelaide, op. 46

Sechs Lieder von Gellert op. 48: Bitten

Sechs Lieder von Gellert op. 48: Die Liebe des Nächsten

Sechs Lieder von Gellert op. 48: Vom Tode

Sechs Lieder von Gellert op. 48: Die Ehre Gottes in der Natur

Sechs Lieder von Gellert op. 48: Gottes Macht und Vorsehung

Sechs Lieder von Gellert op. 48: Bußlied

3 Gesänge, op. 83: 1. Wonne der Wehmut

3 Gesänge, op. 83: 2. Sehnsucht

3 Gesänge, op. 83: 3. Mit einem gemalten Band

Vita felice, op. 88

An die Hoffnung, op. 94 2. Fass. 2

An die ferne Geliebte, op. 98: 1. Auf dem Hügel sitz' ich, spähend

An die ferne Geliebte, op. 98: 2. Wo die Berge so blau

An die ferne Geliebte, op. 98: 3. Leichte Segler in den Höhen

An die ferne Geliebte, op. 98: 4. Diese Wolken in den Höhen

An die ferne Geliebte, op. 98: 5. Es kehret der Maien, es blühet die Au

An die ferne Geliebte, op. 98: 6. Nimm sie hin denn, diese Lieder

Ariette (Der Kuss), op. 128

Schilderung eines Mädchens, WoO 107

Seufzer eines Ungeliebten und Gegenliebe, WoO 118

Ich liebe dich, so wie du mich (Zärtliche Liebe), WoO 123

La partenza, WoO 124

Opferlied, op. 121b

Der Wachtelschlag, WoO 129

Als die Geliebte sich trennen wollte, WoO 132

8 Lieder, op. 52: 1. Urians Reise um die Welt: “Wenn jemand eine Reise tut”

8 Lieder, op. 52: 2. Feuerfarb': “Ich weiß eine Farbe, der bin ich so hold”

8 Lieder, op. 52: 3. Das Liedchen von der Ruhe: “Im arm der Liebe ruht sich's wohl”

8 Lieder, op. 52: 4. Maigesang: “Wie herrlich leuchtet mir die Natur!”

8 Lieder, op. 52: 5. Mollys Abschied: “Lebe wohl, du Mann der Lust und Schmerzen!”

8 Lieder, op. 52: 6. Die Liebe: “Ohne Liebe lebe, wer da kann”

8 Lieder, op. 52: 7. Marmotte: “Ich komme schon durch manches Land”

8 Lieder, op. 52: 8. Dan Blümchen Wunderhold: “Es blüht ein Blümchen irgendwo”

6 Gesänge, op. 75 (1809): 1. Kennst du das Land

6 Gesänge, op. 75 (1809): 2. Neue Liebe, neues Leben: “Herz, main Herz, was soll das geben” (2nd version)

6 Gesänge, op. 75 (1809): 3. Aus Goethes Faust (Mephistos Flohlied): “Es war einmail ein König, der hatt' einen großen Floh”

6 Gesänge, op. 75 (1809): 4. Gretels Warnung: “Mit Liebesblick und Spiel und Sang”

6 Gesänge, op. 75 (1809): 5. An den fernen Geliebten: “Einst wohnten süße Ruh' und goldner Frieden” (2nd version)

6 Gesänge, op. 75 (1809): 6. Der Zufriedene: “Zwar schuf das Glück hienieden”

6 Gesänge, op. 75 (1809): 5. An den fernen Geliebten: “Einst wohnten süße Ruh' und goldner Frieden” (1st version)

4 Arietten, op. 82: 1. Dimmi, ben mio, che m'ami

4 Arietten, op. 82: 2. T'intendo sì, mio cor

4 Arietten, op. 82: 3. L'amante impaziente (Arietta buffa)

4 Arietten, op. 82: 4. L'amante impaziente (Arietta assai seriosa)

Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verblühen"

Der Mann von Wort, op. 99: “Du sagtest, Freund, an diesen Ort komm' ich zurück”

Merkenstein, op. 100 (Lied for 2 voices and piano) (2nd setting)

In questa tomba oscura, WoO 133

Die laute Klage, WoO 135

Andenken, WoO 136

Gesang aus der Ferne, WoO 137

Der Jüngling in der Fremde, WoO 138

Der Liebende, WoO 139

Der Bardengeist, WoO 142

Das Geheimnis, WoO 145

Sehnsucht, WoO 146

Ruf vom Berge, WoO 147

Resignation, WoO 149

Abendlied unterm gestirnten Himmel, WoO 150

An einen Säugling, WoO 108: “Noch weißt du nicht, wes Kind du bist”

Song for Voice and Piano, WoO 109: "Trinklied"

Elegie auf den Tod eines Pudels, for voice & piano, WoO 110

Song for Voice and Piano, WoO 111: "Punchlied, Scherzlieder"

Song for Voice and Piano, WoO 112: "An Laura"

Song for Voice and Piano, WoO 113: "Klage"

Song for Voice and Piano, WoO 114: Selbstgespräch

Song for Voice and Piano, WoO 115: "An Minna"

Song for Voice and Piano, WoO 116: "Que le temps me dure"

Que le temps me dure, WoO 116 (2nd version, [Hess 130])

Song for Voice and Piano, WoO 117: "Der Freie Mann"

Song for Voice and 2 Pianos, WoO 119: "o Care Selve"

Man strebt, die Flamme zu verhehlen, WoO 120

Abschiedsgesang an Wiens Bürger, WoO 121: “Keine Klage soll erschallen”

Kriegslied der Österrecher, WoO 122: “Wir streiten nicht für Ruhm und Sold”

Song for Voice and Piano, WoO 125: "La Tiranna", Canzonetta

Neue Liebe, neues Leben, WoO 127 (1st version): “Herz, mein Herz, was soll das geben?”

Song for Voice and Piano, WoO 128: "Plaisir d'aimer"

Song for 2 Voices and Piano, WoO 130: "Gedenke Mein!"

Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 1st setting

Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 2nd setting

Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 3rd setting

Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 4th setting

Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version)

An die Geliebte, WoO 140

Der Gesang der Nachtigall, WoO 141: “Höre, die Nachtigall singt”

Song for Voice and Piano, WoO 143: "Des Kriegers Abschied"

Merkenstein, WoO 144 (1st setting)

Song for Voice and Piano, WoO 148: "So Oder So"

Der edle Mensch, WoO 151: “Der edle Mensch sei hülfreich und gut!”

Lied aus der Ferne, WoO 137 (1st version): “Als mir noch die Träne der Sehnsucht nicht floss”

Das liebe Kätzchen: “Unsa Kaz had Kazln g'habt”

Der Knabe auf dem Berge: “Duart ob'n af'm Beargerk gu gu!”

"Bei labbri, che Amore", WoO 99 No. 1/Hess 211

"Sei mio ben", Hess 231

"Scrivo in te", WoO 99 No. 11/Hess 215

"Fra tutte le pene", WoO 99 No. 3a

"Salvo tu vuoi lo sposo?", Hess 228

"Ma tu tremi", WoO 99 No. 6/Hess 212

"Giura il nocchier", WoO 99 No. 5b/Hess 227

"Per te d'amico aprile", WoO 99 No. 9/Hess 216

"Fra tutte le pene", WoO 99 No. 3b/Hess 225

"Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218

"Chi mai di questo core", WoO 99 No. 2/Hess 214

"Già la notte s'avvicina", WoO 99 No. 4b/Hess 223

"Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217

"Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220

"Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224

"Fra tutte le pene" (2nd version), Hess 210

"Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213

"Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219

"Giura il nocchier" (1st version), Hess 230

"Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221

"Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221

Song of Farewell for Tenor and 2 Basses, WoO 102

Rural Cantata for 4 Voices accompanied by Piano, WoO 103

“The Monk’s Song” for 3 a cappella Male Voices from Schiller’s play “William Tell”, WoO 104

Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105

Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106

Chorus for the Allied Princes, WoO 95

"Lob auf den Dicken", WoO 100

"Graf, liebster Graf", WoO 101

"Im Arm der Liebe ruht sich's wohl", WoO 159

"Ewig dein", WoO 161

"Kurz ist der Schmerz", WoO 163

"Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164

"Glück zum neuen Jahr!", WoO 165

"Kurz ist der Schmerz", WoO 166

"Brauchle, Linke", WoO 167

"Das Schweigen", WoO 168 No. 1

"Das Reden", WoO 168 No. 2

"Ich küsse Sie", WoO 169

"Ars longa, vita brevis", WoO 170

"Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172

"Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173

"Glaube und hoffe!", WoO 174

"Sankt Petrus war ein Fels!", WoO 175

"Glück zum neuen Jahr!", WoO 176

"Bester Magistrat, lhr friert!", WoO 177

"Signor Abate!", WoO 178

"Alles Gute", WoO 179

"Hoffmann, sei ja kein Hofmann", WoO 180

"O Tobias!", WoO 182

"Bester Herr Graf, Sie sind ein Schaf!", WoO 183

"Falstafferel, laß dich sehen!", WoO 184

"Edel sei der Mensch", WoO 185

"Te solo adoro", WoO 186

"Schwenke dich ohne Schwänke!", WoO 187

"Gott ist eine feste Burg", WoO 188

"Doktor sperrt das Tor dem Tod", WoO 189

"Ich war hier, Doktor, ich war hier", WoO 190

"Kühl, nicht lau", WoO 191

"Ars longa, vita brevis", WoO 192

"Ars longa, vita brevis", WoO 193

"Si non per portas, per muros", WoO 194

"Freu dich des Lebens!", WoO 195

"Es muß sein!", WoO 196

"Da ist das Werk", WoO 197

"Wir irren allesamt", WoO 198

"Das Schöne zum Guten!", WoO 202

"Das Schöne zu dem Guten!", WoO 203

"Herr Graf, ich komme zu fragen", Hess 276

"Esel aller Esel", Hess 277

25 Scottish Songs, op. 108 no. 9 "Behold, my love, how green the groves"

25 Scottish Songs, op. 108 no. 10. Sympathy

25 Scottish Songs, op. 108 no. 11 "Oh! thou art the lad of my heart, Willy"

25 Scottish Songs, op. 108 no. 12 "Oh, had my fate been join’d with thine"

25 Scottish Songs, op. 108 no. 13 "Come fill, fill, my good fellow!"

25 Scottish Songs, op. 108 no. 14 "O, how can I be blithe and glad"

25 Scottish Songs, op. 108 no. 15 "O cruel was my father"

25 Scottish Songs, op. 108 no. 16 "Could this ill world have been contriv’d"

25 Scottish Songs, op. 108 no. 1. Music, Love and Wine

25 Scottish Songs, op. 108 no. 2. Sunset

25 Scottish Songs, op. 108 no. 3 "O sweet were the hours"

25 Scottish Songs, op. 108 no. 4. The Maid of Isla

25 Scottish Songs, op. 108 no. 5 "The sweetest lad was Jamie"

25 Scottish Songs, op. 108 no. 6 "Dim, dim is my eye"

25 Scottish Songs, op. 108 no. 7. Bonny Laddie, Highland Laddie

25 Scottish Songs, op. 108 no. 8 "The lovely lass of Inverness"

25 Scottish Songs, op. 108 no. 17 "O Mary, at thy window be"

25 Scottish Songs, op. 108 no. 18 "Enchantress, farewell"

25 Scottish Songs, op. 108 no. 19 "O swiftly glides the bonny boat"

25 Scottish Songs, op. 108 no. 20. Faithfu’ Johnie

25 Scottish Songs, op. 108 no. 21. Jeanie’s Distress

25 Scottish Songs, op. 108 no. 22. The Highland Watch

25 Scottish Songs, op. 108 no. 23. The Shepherd’s Song

25 Scottish Songs, op. 108 no. 24 "Again, my Lyre, yet once again"

25 Scottish Songs, op. 108 no. 25. Sally in our Alley

25 Irish Songs, WoO 152 no. 1. The Return to Ulster

25 Irish Songs, WoO 152 no. 7 "His boat comes on the sunny tide"

25 Irish Songs, WoO 152 no. 4 "The morning air plays on my face"

25 Irish Songs, WoO 152 no. 2. Sweet Power of Song!

25 Irish Songs, WoO 152 no. 5. On the Massacre of Glencoe

25 Irish Songs, WoO 152 no. 10. The Deserter

25 Irish Songs, WoO 152 no. 12. English Bulls (A.K.A. The Irishman in London)

25 Irish Songs, WoO 152 no. 6 "What shall I do to shew her how much I love her?"

25 Irish Songs, WoO 152 no. 21 "Morning a cruel turmoiler is"

25 Irish Songs, WoO 152 no. 3 "Once more I hail thee"

25 Irish Songs, WoO 152 no. 8 "Come draw we round a cheerful ring"

25 Irish Songs, WoO 152 no. 9 "Our bugles sung truce" (A.K.A. The Soldier’s Dream)

25 Irish Songs, WoO 152 no. 18 "They bid me slight my dermot dear"

25 Irish Songs, WoO 152 no. 13 "Musing on the roaring ocean"

25 Irish Songs, WoO 152 no. 14. Dermot and Shelah

25 Irish Songs, WoO 152 no. 25 "O harp of Erin"

25 Irish Songs, WoO 152 no. 22 "From Garyone, my happy home"

25 Irish Songs, WoO 152 no. 11 "Thou emblem of faith"

25 Irish Songs, WoO 152 no. 15 "Let brain-spinning swains"

25 Irish Songs, WoO 152 no. 16 "Hide not thy anguish"

25 Irish Songs, WoO 152 no. 19. Wife, Children and Friends

25 Irish Songs, WoO 152 no. 17 "In vain to this desert my fate I deplore"

25 Irish Songs, WoO 152 no. 23 "A wand’ring gypsey, Sirs, am I"

25 Irish Songs, WoO 152 no. 20 "Farewell bliss and farewell Nancy"

25 Irish Songs, WoO 152 no. 24. The Traugh Welcome

20 Irish Songs, WoO 153 no. 6 "Sad and luckless was the season"

20 Irish Songs, WoO 153 no. 3. The British Light Dragoons (A.K.A. The Plain of Badajos)

20 Irish Songs, WoO 153 no. 1 "When eve’s last rays in twilight die"

20 Irish Songs, WoO 153 no. 4 "Since greybeards inform us that youth will decay"

20 Irish Songs, WoO 153 no. 2 "No riches from his scanty store"

20 Irish Songs, WoO 153 no. 5 "I dream’d I lay where flow’rs were springing"

20 Irish Songs, WoO 153 no. 9 "The kiss, dear maid, thy lip has left"

20 Irish Songs, WoO 153 no. 7 "O soothe me, my lyre"

20 Irish Songs, WoO 153 no. 15 "’Tis but in vain, for nothing thrives"

20 Irish Songs, WoO 153 no. 11 "When far from the home"

20 Irish Songs, WoO 153 no. 13 "’Tis sunshine at last"

20 Irish Songs, WoO 153 no. 8. Norah of Balamagairy "Farewell mirth and hilarity"

20 Irish Songs, WoO 153 no. 19 "Judy, lovely matchless creature"

20 Irish Songs, WoO 153 no. 12 "I’ll praise the saints with early song"

20 Irish Songs, WoO 153 no. 18 "No more, my Mary, I sigh for splendour"

20 Irish Songs, WoO 153 no. 20 "Thy ship must sail, my Henry dear"

20 Irish Songs, WoO 153 no. 14. Paddy O’Rafferty

20 Irish Songs, WoO 153 no. 16 "O might I but my Patrick love!"

20 Irish Songs, WoO 153 no. 10 "Oh! Thou hapless soldier"

20 Irish Songs, WoO 153 no. 17 "Come, Darby dear! easy, be easy"

12 Irish Songs, WoO 154 no. 2: "O harp of Erin"

12 Irish Songs, WoO 154 no. 12: "He promised me at parting"

12 Irish Songs, WoO 154 no. 4: "The pulse of an Irishman"

12 Irish Songs, WoO 154 no. 3: "The farewell song"

12 Irish Songs, WoO 154 no. 8: "Save me from the grave and wise"

12 Irish Songs, WoO 154 no. 9: "O would I were but that sweet linnet!"

12 Irish Songs, WoO 154 no. 10: "The hero may perish"

12 Irish Songs, WoO 154 no. 6: "Put round the bright wine"

12 Irish Songs, WoO 154 no. 5: "O who, my dear Dermot"

12 Irish Songs, WoO 154 no. 7: "From Garyone, my happy home"

12 Irish Songs, WoO 154 no. 11: "The soldier in a foreign land"

12 Irish Songs, WoO 154 no. 1: "The elfin fairies"

12 Songs of Various Nationalities, WoO 157 no. 1: "God save the king"

12 Songs of Various Nationalities, WoO 157 no. 2: "The soldier"

12 Songs of Various Nationalities, WoO 157 no. 3: "Charlie is my darling"

12 Songs of Various Nationalities, WoO 157 no. 4: "O Sanctissima"

12 Songs of Various Nationalities, WoO 157 no. 5: "The miller of Dee"

12 Songs of Various Nationalities, WoO 157 no. 6: "A health to the brave"

12 Songs of Various Nationalities, WoO 157 no. 9: "Highlander’s lament"

12 Songs of Various Nationalities, WoO 157 no. 8: "By the side of the shannon"

12 Songs of Various Nationalities, WoO 157 no. 11: "The wandering minstrel"

12 Songs of Various Nationalities, WoO 157 no. 10: "Sir Johnnie Cope"

12 Songs of Various Nationalities, WoO 157 no. 7: "Robin Adair"

12 Songs of Various Nationalities, WoO 157 no. 12: "La gondoletta"

26 Welsh Songs, WoO 155 no. 1: "Sion, the son of Evan"

26 Welsh Songs, WoO 155 no. 4: "Love without hope"

26 Welsh Songs, WoO 155 no. 17: "The dairy house"

26 Welsh Songs, WoO 155 no. 15: "When mortals all to rest retire"

26 Welsh Songs, WoO 155 no. 3: "The cottage maid"

26 Welsh Songs, WoO 155 no. 14: "The dream"

26 Welsh Songs, WoO 155 no. 7: "Oh let the night my blushes hide"

26 Welsh Songs, WoO 155 no. 19: "The vale of Clwyd"

26 Welsh Songs, WoO 155 no. 11: "Merch Megan"

26 Welsh Songs, WoO 155 no. 2: "The monks of Bangor’s march"

26 Welsh Songs, WoO 155 no. 10: "Ned Pugh’s farewell"

26 Welsh Songs, WoO 155 no. 13. "Helpless woman"

26 Welsh Songs, WoO 155 no. 20: "To the blackbird"

26 Welsh Songs, WoO 155 no. 16: "The damsels of Cardigan"

26 Welsh Songs, WoO 155 no. 9: "To the Aeolian harp"

26 Welsh Songs, WoO 155 no. 12: "Waken lords and ladies gay"

26 Welsh Songs, WoO 155 no. 22: "Constancy"

26 Welsh Songs, WoO 155 no. 5: "The golden robe"

26 Welsh Songs, WoO 155 no. 6: "The fair maid of Mona"

26 Welsh Songs, WoO 155 no. 8: "Farewell, farewell thou noisy town"

26 Welsh Songs, WoO 155 no. 18: "Sweet Richard"

26 Welsh Songs, WoO 155 no. 21: "Cupid’s kindness"

26 Welsh Songs, WoO 155 no. 23: "The old strain"

26 Welsh Songs, WoO 155 no. 24: "Three hundred pounds"

26 Welsh Songs, WoO 155 no. 25: "The parting kiss"

26 Welsh Songs, WoO 155 no. 26: "Good night"

12 Scottish Songs, WoO 156 no. 4: "Ye shepherds of this pleasant vale"

12 Scottish Songs, WoO 156 no. 3: "Up! Quit thy bower"

12 Scottish Songs, WoO 156 no. 7: "Polly Stewart"

12 Scottish Songs, WoO 156 no. 10: "Glencoe"

12 Scottish Songs, WoO 156 no. 2: "Duncan Gray"

12 Scottish Songs, WoO 156 no. 8: "Womankind"

12 Scottish Songs, WoO 156 no. 1: "The banner of Buccleuch"

12 Scottish Songs, WoO 156 no. 6: "Highland Harry"

12 Scottish Songs, WoO 156 no. 12: "The quaker’s wife"

12 Scottish Songs, WoO 156 no. 9: "Lochnagar"

12 Scottish Songs, WoO 156 no. 5: "Cease your funning"

12 Scottish Songs, WoO 156 no. 11: "Auld lang syne"

7 British Songs, WoO 158b no. 1: "Adieu, my lov’d harp"

7 British Songs, WoO 158b no. 7: "Lament for Owen Roe O’Neill"

7 British Songs, WoO 158b no. 5: "Erin! O Erin!"

7 British Songs, WoO 158b no. 4: "Red gleams the sun on yon hill tap"

7 British Songs, WoO 158b no. 2: "Castle O’Neill"

7 British Songs, WoO 158b no. 6: "O Mary, ye’s be clad in silk"

7 British Songs, WoO 158b no. 3: "O was not I a weary wight! (Oh Ono Chri!)"

6 Songs of Various Nationalities, WoO 158c no. 3: "Mark yonder pomp of costly fashion"

6 Songs of Various Nationalities, WoO 158c no. 1: "When my hero in court appears"

6 Songs of Various Nationalities, WoO 158c no. 4: "Bonnie wee thing"

6 Songs of Various Nationalities, WoO 158c no. 5: "From thee, Eliza, I must go"

6 Songs of Various Nationalities, WoO 158c no. 6: [untitled]

6 Songs of Various Nationalities, WoO 158c no. 2: "Non, non, Colette n’est Point Trompeuse"

23 Songs of Various Nationalities, WoO 158a no. 6: "A Madel, ja a Madel"

23 Songs of Various Nationalities, WoO 158a no. 21: "Tiranilla Española"

23 Songs of Various Nationalities, WoO 158a no. 7: "Wer solche buema bfipackt"

23 Songs of Various Nationalities, WoO 158a no. 2: "Horch auf, mein Liebchen"

23 Songs of Various Nationalities, WoO 158a no. 10: "Poszła baba po popiłół"

23 Songs of Various Nationalities, WoO 158a no. 16: "Schöne minka, ich Muss Scheiden"

23 Songs of Various Nationalities, WoO 158a no. 18: "An ä bergli bin I gesässe"

23 Songs of Various Nationalities, WoO 158a no. 15: "Kak pošli naši podružki"

23 Songs of Various Nationalities, WoO 158a no. 5: "Teppichkrämer-lied"

23 Songs of Various Nationalities, WoO 158a no. 14: "Akh, rečen’ki, rečen’ki"

23 Songs of Various Nationalities, WoO 158a no. 3: "Wegen Meiner Bleib D’Fräula"

23 Songs of Various Nationalities, WoO 158a no. 13: Vo Lesočke Komaročkov Mnogo Urodilos’"

23 Songs of Various Nationalities, WoO 158a no. 23: "Da Brava, Catina"

23 Songs of Various Nationalities, WoO 158a no. 1: "Ridder Stigs Runer"

23 Songs of Various Nationalities, WoO 158a no. 11: "Yo no quiero embarcarme"

23 Songs of Various Nationalities, WoO 158a no. 17: "Lilla Carl (Vaggvisa)"

23 Songs of Various Nationalities, WoO 158a no. 20: "Cómo la Mariposa soy"

23 Songs of Various Nationalities, WoO 158a no. 9: "Oj, Oj Upiłem Się W Karczmie"

23 Songs of Various Nationalities, WoO 158a no. 19: "Una paloma blanca"

23 Songs of Various Nationalities, WoO 158a no. 22: "Édes Kinos Emlékezet (Magyar Szüretölö Ének)"

23 Songs of Various Nationalities, WoO 158a no. 4: "Wann I in Der Früh Aufsteh"

23 Songs of Various Nationalities, WoO 158a no. 12: "Seus Lindos Olhos"

23 Songs of Various Nationalities, WoO 158a no. 8: "Ih Mag Di Nit Nehma"

Elegischer Gesang, op. 118

Opferlied, op. 121b

Bundeslied, op. 122 “In allen guten Stunden”

Scene and Aria for Soprano and Orchestra, Op. 65 "Ah! perfido" (live)

Aria for Bass and Orchestra, WoO 89 "Prufung des Küssens"

Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"

Scene and Aria for Soprano and Orchestra, WoO 92 "Primo amore"

Scene and Aria for Soprano and Orchestra, WoO 92a "No, non turbarti"

Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici"

Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli "Tot! Tot, stöhnt es durch die öde Nacht"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative (bass) "Ein Ungeheuer, sein Name Fanatismus"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria (bass) "Da kam Joseph"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria (Soprano) with Choir "Da stiegen die Menschen an's Licht"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative (soprano) "Er Schläft, von den Sorgen seiner Welten entladen"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria (soprano) "Hier schlummert seinen stillen Frieden der grosse Dulder"

Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli "Tot! Tot, stöhnt es durch die öde Nacht"

Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!"

Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: 1b. Arie (soprano) "Fliesse, Wonnezähre, fliesse!"

Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!"

Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!"

Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) "Ihr, die Joseph ihren vater nannten"

Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'"

Der glorreiche Augenblick, op. 136: No. 1 Chorus: “Europa steht!”

Der glorreiche Augenblick, op. 136: No. 2 Recitative and Chorus: “O seht nah und näher treten!” (Führer des Volkes, Genius) / “Vienna!” (chorus)

Der glorreiche Augenblick, op. 136: No. 3 Recitative and Aria with Chorus: “O Himmel, welch' Entzücken!” (Vienna) / “Alle die Herrscher darf ich grüßen” (Vienna, chorus)

Der glorreiche Augenblick, op. 136: No. 4 Recitative and Aria with Chorus: “Das Auge schaut” (Seherin) / “Dem die erste Zähre” (Seherin, chorus)

Der glorreiche Augenblick, op. 136: No. 5 Recitative and Quartet: “Der den Bund im Sturme festgehalten” (Seherin, Vienna, Führer des Volkes, Genius) / “In meinen Mauern bauen sich neue Zeiten auf” (Vienna, Genius, Führer des Volkes, Seherin)

Der glorreiche Augenblick, op. 136: No. 6 Chorus: “Es treten vor die Scharen der Frauen”

Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto / II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen"

Mass in C major, op. 86: Kyrie

Mass in C major, op. 86: Gloria

Mass in C major, op. 86: Credo

Mass in C major, op. 86: Sanctus (Benedictus)

Mass in C major, op. 86: Agnus Dei

Missa solemnis, op. 123: 1. Kyrie. Assai sostenuto (Mit Andacht)

Missa solemnis, op. 123: 2. Gloria. Allegro vivace

Missa solemnis, op. 123: 3. Creedo. Allegro ma non troppo

Missa solemnis, op. 123: 4. Sanctus. Adagio (Mit Andacht) - Benedictus. Andante molto cantabile e non troppo mosso

Missa solemnis, op. 123: 5. Agnus Dei. Adagio

Missa Solemnis in D-Dur, Op. 123: I. Kyrie

Missa Solemnis in D-Dur, Op. 123: II. Gloria

Missa Solemnis in D-Dur, Op. 123: III. Credo

Missa Solemnis in D-Dur, Op. 123: IV. Sanctus

Missa Solemnis in D-Dur, Op. 123: V. Agnus Dei

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen"

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?"

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus)

Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre"

Andante in C major

Anglaise in D major, WoO 212

Bagatelle in C major, Hess 73

Bagatelle in E-flat major, Hess 74

Menuett in F major, WoO 217

Bagatelle in C major, Hess 57

Piece in f, Kullak Sketchbook f.51/52 (1826)

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 1 Andante in D-flat

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 2 Finale in G

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 3 Allegro in A

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 4 Rondo in A

Bagatelle in a, WoO 59 (Revised version of “Für Elise”) (1822) "Bagatellen" Portfolio no. 12

Waltz in c, WoO 219 [Hess 68], Wielhorsky Sketchbook (1803)

Variations in B-flat “Zur übung der Faust”, Hess 58 Kafka Sketch Miscellany (c. 1792). Theme - Variation I

Allegretto in a/A, Kafka Sketch Miscellany f.47v

Piano Piece in A, Kafka Sketch Miscellany f.160r staves 1-6

Piano Piece in A, Kafka Sketch Miscellany f.41v staves 13-16

Piano Piece in C, Kafka Sketch Miscellany f.47v staves 5-8

Piano Piece (Minuet) in C, Hess 59 (c. 1794-95)

Adagio ma non molto in G, Hess 70 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04)

Molto Adagio in G, Hess 71 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04)

Theme and Variation in A, Hess 72 Landsberg 6 Sketchbook, Fragment (1803-04)

2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 in F / No. 2 in f

Minuet in A-flat, WoO 209 [Hess 88] (1790-92)

Piano Sonata in D/d, Unv 12 [Biamonti 213] (c. 1793), Fragment

On “Dona nobis pacem” (Haydn), Hess Ang. 57: Piano Arrangment by Julia Ronge of a 4-Part Fugue for Voices a cappela (c. 1795)

O Hoffnung, theme in G major, WoO 200

Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 Piano Transcription by Beethoven, Hess 97 (1813): Part I: Schlacht. Trommeln und Trompeten an der englischen Seite / Part I: Schlacht. Marcia. “Rule Brittania” / Part I: Schlacht. Trommeln und Trompeten an der französischen Seite / Part I: Schlacht. Marcia. “Marlborough” / Part I: Schlacht. Aufforderung (Trompete an der französischen Seite) / Part I: Schlacht. Gegenruf (Trompete an der englischen Seite) / Part I: Schlacht. Schlacht. Allegro - Sturmmarsch. Allegro assai - Presto - Andante / Part II: Seigessymphonie. Intrada. Allegro, ma non troppo - Allegro con brio - Andante grazioso - Tempo I - Tempo di minuetto moderato - Allegro

Andante maestoso in C major

Symphony no. 7 in A, op. 92 Piano Arrangement by Beethoven, Hess 96, Fragment (c. 1814): I. Poco sostenuto

Piano Quartet in E-flat major, op. 16: I. Grave; Allegro, ma non troppo

Piano Quartet in E-flat major, op. 16: II. Andante cantabile

Piano Quartet in E-flat major, op. 16: III. Rondo: Allegro, ma non troppo

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 3. Volkslied aus Kleinrussland: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 6. Air écossais “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 7. Air russe “Schöne Minka”: Tema. Andante - Var.' I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 9. Air écossais “Oh, Thou art the Lad of my Heart”: Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace

Andante maestoso in C for String Quintet, WoO 62 “Letzter musikalischer Gedanke” (1827)

Fugue for 2 Violins, Viola, and Cello, Hess 36 (transcribed from Handel's "Solomon, HWV 67: Overture")

Violin Sonata in A, Unv 11 [Hess 46] (c. 1791)

Duo for Violin and Cello in E-flat, Unv 8 [Gardi 2] (c. 1791)

Scherzo to String Trio op. 9 no. 1 with Alternative Trio (1797-98): Scherzo - Trio II, Hess 28 - Scherzo

Allegretto in B minor

Minuet in B-flat, Hess 331, Fragment (1799)

Pastorella in D, Hess 332, Fragment (1799)

Menuetto-Scherzo, Hess 333, Fragment (1799)

Allegro in A, Hess 334, Fragment (1799)

2-Voice Fugues, Hess 236 (1794): No. 1 in d

2-Voice Fugues, Hess 236 (1794): No. 2 in E phrygian

2-Voice Fugues, Hess 236 (1794): No. 3 in F

2-Voice Fugues, Hess 236 (1794): No. 4 in B-flat

2-Voice Fugues, Hess 236 (1794): No. 5 in d

3-Voice Fugues, Hess 237 (1794): No. 1 in G

3-Voice Fugues, Hess 237 (1794): No. 2 in F

3-Voice Fugues, Hess 237 (1794): No. 3 in e

3-Voice Fugues, Hess 237 (1794): No. 4 in d

4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 1 in e

4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 2 in d

4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 3 in C

4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 4 in a

4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 5 in B-flat

4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 6 in a

Chorale Fugues, Hess 239 (1794): No. 2 in d

Chorale Fugues, Hess 239 (1794): No. 3 in G

Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 1 in C

Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 2 in F

Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 3 in C

Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 4 in C

Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 5 in d

Triple Fugues, Hess 244 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 1 in d

Triple Fugues, Hess 244 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 2 in F

Fugue for String Quartet in d, Hess 245, Fragment (c. 1794-95)

Sonata in B Flat for Piano and Flute: 1. Allegro

Sonata in B Flat for Piano and Flute: 2. Polonaise

Sonata in B Flat for Piano and Flute: 3. Largo

Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni)

2 Sonatinas, Anh. 5: No. 1 in G. I. Moderato / II. Romance

2 Sonatinas, Anh. 5: No. 2 in F. I. Allegro assai / II. Rondo

8 Variations for Piano on “Ich hab' ein kleines Hüttchen nur”, Anh. 10 Probably not Beethoven (1790s)

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 7 in A major, op. 92: IV. Allegro con brio

Overture “Leonore” no. 3, op. 72b: Adagio - Allegro

Symphonie Nr. 7 A‐dur, op. 92: 4. Allegro con brio

Overture “Leonore” no. 2, op. 72a: Adagio - Allegro

Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 8 in F, op. 93: 1. Allegro Vivace E Con Brio

Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando

Symphony no. 8 in F, op. 93: 3. Tempo di Menuetto

Symphony no. 8 in F, op. 93: 4. Allegro Vivace

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro

Overture “Leonore no. 3”, op. 72b

Coriolan, Overture, op. 62

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro

Symphony no. 5 in C minor, op. 67: IV. Finale. Allegro

Große Fuge, op. 133

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro

Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo

Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: (Andante molto mosso)

Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro)

Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro)

Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto)

Egmont, Ouvertüre, op. 84

IX. Sinfonie d-moll, op. 125: 1. Satz: Allegro ma non troppo, un poco maestoso

IX. Sinfonie d-moll, op. 125: 2. Satz: Molto vivace

IX. Sinfonie d-moll, op. 125: 3. Satz: Adagio molto e cantabile

IX. Sinfonie d-moll, op. 125: 4. Satz: Presto

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – “O Freunde, nicht diese Töne!” – Allegro assai

Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio

Piano Concerto no. 3 in C minor, op. 37: 2. Largo

Piano Concerto no. 3 in C minor, op. 37: 3. Rondo (Allegro)

Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo

Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto

Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro

Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo

Piano Sonata no. 30 in E major, op. 109: II. Prestissimo

Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo, Gesangvoll, mit innigster Empfindung

Sonata no. 8 in c, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio

Sonata no. 8 in c, op. 13 “Pathétique”: II. Adagio cantabile

Sonata no. 8 in c, op. 13 “Pathétique”: III. Rondo. Allegro

Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo

Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto

Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - fuga (Allegro ma non troppo)

Sonate Nr. 23 f-Moll op. 57 »Appassionata«: 1. Allegro assai

Sonate Nr. 23 f-Moll op. 57 »Appassionata«: 2. Andante con moto –

Sonate Nr. 23 f-Moll op. 57 »Appassionata«: 3. Allegro ma non troppo

Sonate pour piano No. 18 en Mi bémol majeur, Op. 31 No. 3 "La Chasse": I. Allegro

Sonate pour piano No. 18 en Mi bémol majeur, Op. 31 No. 3 "La Chasse": II. Scherzo: allegro vivace

Sonate pour piano No. 18 en Mi bémol majeur, Op. 31 No. 3 "La Chasse": III. Menuetto: moderato e grazioso

Sonate pour piano No. 18 en Mi bémol majeur, Op. 31 No. 3 "La Chasse": IV. Presto con fuoco

Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio

Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molto espressione

Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto

Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto

Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten empfindung (Allegretto, ma non troppo)

Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmassig (Vivace alla marcia)

Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto)

Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo

Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto

Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga

Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro

Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante

Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace

Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo

Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio

Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione

Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro

Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso

Klaviersonate Nr. 32 c-moll, op. 111: I. Maestoso - Allegro con brio ed appassionato

Klaviersonate Nr. 32 c-moll, op. 111: II. Arietta. Adagio molto semplice e cantabile

Sonate für Klavier und Violoncello A‐Dur op. 69: 1. Satz: Allegro ma non tanto

Sonate für Klavier und Violoncello A‐Dur op. 69: 2. Satz: Scherzo. Allegro molto

Sonate für Klavier und Violoncello A‐Dur op. 69: 3. Satz: Adagio Cantabile – Allegro vivace

Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio

Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto

Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato

Piano Trio no. 7 in B-flat, op. 97 "Archduke": I. Allegro moderato

Piano Trio no. 7 in B-flat, op. 97 "Archduke": II. Scherzo (Allegro)

Piano Trio no. 7 in B-flat, op. 97 "Archduke": III. Andante cantabile, ma però con moto: Poco più adagio

Piano Trio no. 7 in B-flat, op. 97 "Archduke": IV. Allegro moderato

String Quartet no. 13 in B flat, op. 130: I. Adagio ma non troppo – Allegro

String Quartet no. 13 in B flat, op. 130: II. Presto

String Quartet no. 13 in B flat, op. 130: III. Andante con moto, ma non troppo

String Quartet no. 13 in B flat, op. 130: IV. Alla danza tedesca: Allegro assai

String Quartet no. 13 in B flat, op. 130: V. Cavatina: Adagio molto espressivo

String Quartet no. 13 in B flat, op. 130: VI. Finale: Allegro

Grosse Fuge, op. 133: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro

Quartet No. 16 in F major, Op. 135: I. Allegretto

Quartet No. 16 in F major, Op. 135: II. Vivace

Quartet No. 16 in F major, Op. 135: III. Lento Assai, Cantante E Tranquillo

Quartet No. 16 in F major, Op. 135: IV. Grave ma non troppo - Allegro (Der Schwer Gefasste Entschluss)

String Quartet No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio

String Quartet No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo

String Quartet No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro

String Quartet No. 6 in B-flat major, Op. 18 No. 6: IV. La Malinconia. Adagio - Allegretto quasi allegro - Adagio - Allegretto - Poco adagio - Prestissimo

String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro

String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non tanto

String Quartet No. 15 in A minor, Op. 132: III. Canzona di ringraziamento. Molto adagio - Sentendo nuova forza. Andante

String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace - Più allegro - Presto

String Quartet No. 15 in A minor, Op. 132: V. Allegro appassionato

Adelaide, op. 46 “Einsam wandelt dein Freund im Frühlingstagen”

An die ferne Geliebte, op. 98: 1. “Auf dem Hügel sitz' ich, spähend”

An die ferne Geliebte, op. 98: 2. “Wo die Berge so blau”

An die ferne Geliebte, op. 98: 3. “Leichte Segler in den Höhen”

An die ferne Geliebte, op. 98: 4. “Diese Wolken in den Höhen”

An die ferne Geliebte, op. 98: 5. “Es kehret der Maien, es blühet die Au”

An die ferne Geliebte, op. 98: 6. “Nimm sie hin denn, diese Lieder”

La partenza, WoO 124 “Ecco quel fiero istante”

4 Arietten, op. 82: 3. L'amante impaziente I: “Che fa il mio bene?”. Arietta buffa

4 Arietten, op. 82: 4. L'amante impaziente II: “Che fa il mio bene?”. Arietta assai seriosa

4 Arietten, op. 82: 2. “T'intendo sì, mio cor”

4 Arietten, op. 82: 1. “Dimmi, ben mio, che m'ami”

In questa tomba oscura, WoO 133

In questa tomba oscura, WoO 133

Fidelio, op. 72: Erster Akt. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino)

Fidelio: Act I, No. 7. Aria and Chorus "Ha! welch ein Augenblick!" (pizzarro, Chor der wache)

Fidelio, op. 72: Act I. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!”

Fidelio, Act I: O welche Lust

Fidelio, op. 72: Act II. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen”

Fidelio, op. 72: Act II. “Meine Leonore, was hast du ...” / No. 15 Duet: “O namenlose Freude!”

Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)

Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio

Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio

Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro

Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro - Andante - Tempo I

Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio

Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo

Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro

Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato

Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto -

Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace

Violin Concerto in D, op. 61: 1. Allegro ma non troppo

Violin Concerto in D, op. 61: 2. Larghetto

Violin Concerto in D, op. 61: 3. Rondo. Allegro

Violin Romance no. 2 in F, op. 50

Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio

Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile

Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro

Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto

Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto

Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato

Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro

Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio

Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto

Seufzer eines Ungeliebten / Gegenliebe, WoO 118

Choral Fantasy, op. 80 (alternative improvised introduction no. 1)

Arietta (Der Kuß), op. 128

Als die Geliebte sich trennen wollte (Empfindungen bei Lydiens Untreue), WoO 132

Sehnsucht, WoO 146

An die Geliebte, WoO 140 (2. Fassung)

Maigesang, op. 52, no. 4

Sonata for Piano and Horn in F, op. 17: I. Allegro moderato

Sonata for Piano and Horn in F, op. 17: II. Poco Adagio, quasi Andante

Sonata for Piano and Horn in F, op. 17: III. Rondo. Allegro moderato

Trio no. 5 op. 70 no. 1 in D minor: I. Allegro vivaci con brio

Trio no. 5 op. 70 no. 1 in D minor: II. Largo assai ed espressivo

Trio no. 5 op. 70 no. 1 in D minor: III. Presto

Streichquartett C-dur, op. 59 Nr. 3: Introduzione. Andante con moto. Allegro vivace

Streichquartett C-dur, op. 59 Nr. 3: Andante con moto quasi Allegretto

Streichquartett C-dur, op. 59 Nr. 3: Menuetto. Gracioso

Streichquartett C-dur, op. 59 Nr. 3: Allegro molto

Quintet for Piano and Wind Quartet in E-flat, op. 16: 1. Grave - Allegro ma non troppo

Quintet for Piano and Wind Quartet in E-flat, op. 16: 2. Andante cantabile

Quintet for Piano and Wind Quartet in E-flat, op. 16: 3. Rondo (Allegro ma non troppo)

Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: I. Adagio molto - Allegro con brio

Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: II. Larghetto

Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: IV. Allegro molto

Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): I. Allegro moderato

Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): II. Andante con moto

Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): III. Rondo. Vivace

"Ah! perfido", Op. 65

The Creatures of Prometheus, Op. 43: No. 16, Finale. Allegretto

Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio

Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto

Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace

Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace

Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio

Symphony no. 2 in D major, op. 36: II. Larghetto

Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro

Symphony no. 2 in D major, op. 36: IV. Allegro molto

Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio

Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace

Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto

Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat major, op. 60: II. Adagio

Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro

Symphony no. 4 in B-flat major, op. 60: IV. Allegro, ma non troppo

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro

Symphony no. 5 in C minor, op. 67: IV. Allegro

Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”

Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook”

Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”

Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”

Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm”

Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace

Symphonie No. 7 A-Dur, Op. 92: II. Allegretto

Symphonie No. 7 A-Dur, Op. 92: III. Presto

Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio

Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio

Symphony no. 8 in F major, op. 93: II. Allegretto scherzando

Symphony no. 8 in F major, op. 93: III. Tempo di menuetto

Symphony no. 8 in F major, op. 93: IV. Allegro vivace

Symphonie No. 9 d-Moll op. 125: 1. Allegro ma non troppo, un poco maestoso

Symphonie No. 9 d‐Moll op. 125: 2. Molto vivace

Symphonie No. 9 d-Moll op. 125: 3. Adagio molto e cantabile

Symphonie No. 9 d-Moll op. 125: 4. Presto

Symphonie No. 9 d‐Moll op. 125: 4. »O Freunde, nicht diese Töne« – Allegro assai (Schlußchor über Schillers Ode »An die Freude«)

Symphony no. 9: Rehearsal: 1. Allegro ma non troppo, un poco maestoso

Symphony no. 9: Rehearsal: 3. Adagio molto e cantabile

Symphony no. 9: Rehearsal: 4. Presto

Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro

Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio

Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto

Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo

Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace

Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato

Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto

Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso

Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio

Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio

Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro

Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai

Sonata for Piano no. 4 in E‐flat major, op. 7: I. Allegro molto e con brio

Sonata for Piano no. 4 in E‐flat major, op. 7: II. Largo, con gran espressione

Sonata for Piano no. 4 in E‐flat major, op. 7: III. Allegro

Sonata for Piano no. 4 in E‐flat major, op. 7: IV. Rondo. Poco allegretto e grazioso

Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio

Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto

Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo

Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro

Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto

Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto

Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto

Sonata for Piano no. 7 in D major, op. 10 no. 3: II. Largo e mesto

Sonata for Piano no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro

Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro

Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio

Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile

Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro

Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro

Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto

Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo

Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro

Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante

Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai

Sonata for Piano no. 11 in B‐flat major, op. 22: I. Allegro con brio

Sonata for Piano no. 11 in B‐flat major, op. 22: II. Adagio con molto espressione

Sonata for Piano no. 11 in B‐flat major, op. 22: III. Menuetto

Sonata for Piano no. 11 in B‐flat major, op. 22: IV. Rondo. Allegretto

Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: I. Theme and Variation. Andante

Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto

Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe. Maestoso andante

Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro

Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: I. Andante

Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: II. Allegro molto e vivace

Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: III. Adagio con espressione

Sonata for Piano no. 13 in E‐flat major, op. 27 no. 1: IV. Allegro vivace

Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto

Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto

Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato

Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro

Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante

Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace

Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo

Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace

Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso

Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto

Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo - Allegro

Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio

Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto

Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: I. Allegro

Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace

Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso

Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: IV. Presto con fuoco

Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante

Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro

Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro, ma non troppo

Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto

Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio

Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduction. Adagio molto

Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato

Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto

Sonata for Piano no. 22 in F major, op. 54: II. Allegretto

Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai

Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto

Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo

Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: I. Adagio cantabile – Allegro ma non troppo

Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: II. Allegro assai

Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca

Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo

Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace

Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro “Les Adieux”

Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence”

Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour”

Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen

Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo

Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia

Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto

Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro

Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: I. Allegro

Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace

Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento

Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: IV. Largo – Allegro risoluto

Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo

Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo

Piano Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo

Sonata for Piano no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo

Sonata for Piano no. 31 in A‐flat major, op. 110: II. Allegro molto

Sonata for Piano no. 31 in A‐flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro, ma non troppo

Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato

Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile

Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio

Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato

Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto

Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: IV. Allegro

Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro

Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I

Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro

Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto

Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro

Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto

Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro

Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto

Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto

Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto

Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto

Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: IV. Allegro - Prestissimo

Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: I. Allegro

Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto

Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile

Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro

Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio

Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo

Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro

Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro

Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro

Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace

Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto

Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro

Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: I. Allegro

Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento

Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: III. Allegretto - Maggiore

Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: IV. Presto

Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: I. Andante con moto - Allegro vivace

Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto

Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: III. Minuetto. Grazioso

Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: IV. Allegro molto

Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": I. Poco adagio - Allegro

Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": II. Adagio ma non troppo

Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": III. Presto

Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": IV. Allegretto con variazioni

Quartet No. 11 for 2 Violins Viola, and Cello in F minor, Op. 95: I. Allegro con brio

Quartet No. 11 for 2 Violins Viola, and Cello in F minor, Op. 95: II. Allegretto ma non troppo

Quartet No. 11 for 2 Violins Viola, and Cello in F minor, Op. 95: III. Allegro assai vivace ma serioso

Quartet No. 11 for 2 Violins Viola, and Cello in F minor, Op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro

Quartet No. 12 for 2 Violins, Viola, and Cello in E-flat major, Op. 127: I. Maestoso - Allegro

Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I

Quartet No. 12 for 2 Violins, Viola, and Cello in E-flat major, Op. 127: III. Scherzando vivace

Quartet No. 12 for 2 Violins, Viola, and Cello in E-flat major, Op. 127: IV. Allegro

Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: i. Overtura. Allegro - Fuga.

Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: ii. Meno mosso e moderato

Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: iii. Allegro molto e con brio

Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: iv. Meno mosso e moderato

Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: v. Allegro molto e con brio

Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: vi. Allegro

Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: I. Adagio ma non troppo - Allegro

Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: II. Presto

Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: III. Andante con moto, ma non troppo

Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: IV. Alla danza tedesca. Allegro assai

Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo

Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VI. Finale. Allegro

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: III. Allegro moderato

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: V. Presto - Molto poco adagio

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante

Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VII. Allegro

Quartet No. 15 for 2 Violins, Viola, and Cello in A minor, Op. 132: I. Assai sostenuto - Allegro

Quartet No. 15 for 2 Violins, Viola, and Cello in A minor, Op. 132: II. Allegro ma non tanto

Quartet No. 15 for 2 Violins, Viola, and Cello in A minor, Op. 132: III. Molto Adagio - Andante - Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart

Quartet No. 15 for 2 Violins, Viola, and Cello in A minor, Op. 132: IV. Alla Marcia, vivace assai

Quartet No. 15 for 2 Violins, Viola, and Cello in A minor, Op. 132: V. Allegro appassionato - Presto

Quartet No. 16 for 2 Violins, Viola, and Cello in F major, Op. 135: I. Allegretto

Quartet No. 16 for 2 Violins, Viola, and Cello in F major, Op. 135: II. Vivace

Quartet No. 16 for 2 Violins, Viola, and Cello in F major, Op. 135: III. Lento assai e cantante tranquillo

Quartet No. 16 for 2 Violins, Viola, and Cello in F major, Op. 135: IV. "Der schwer gefaßte Entschluß" Grave - Allegro - Grave ma non troppo tratto - Allegro

Fidelio, Opera in two acts, op. 72: Act I. Opening Credits & Cast

Fidelio, Opera in two acts, op. 72: Act I. Overture

Fidelio, Opera in two acts, op. 72: Act I. No. 1 Duet: “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Armer Jaquino” (Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. No. 2 Aria: “O wär' ich schon mit dir vereint” (Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Marzelline! - Vater!” (Rocco, Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. No. 3 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Armer Fidelio!” (Rocco, Leonore, Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. No. 4 Aria: “Hat man nicht auch Gold beineben” (Rocco)

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Ihr habt Recht, Vater Rocco” (Leonore, Rocco, Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. No. 5 Trio: “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)

Fidelio, Opera in two acts, op. 72: Act I. No. 6 March

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Drei Schildwachen auf den Wall” (Pizarro, Rocco)

Fidelio, Opera in two acts, op. 72: Act I. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards)

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Hauptmann!” (Pizarro, Rocco)

Fidelio, Opera in two acts, op. 72: Act I. No. 8 Duet: “Jetzt, Alter, jetzt Stern der Müden nicht erbleichen!” (Leonore)

Fidelio, Opera in two acts, op. 72: Act I. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin?” (Leonore) ”

Fidelio, Opera in two acts, op. 72: Act I. No. 9 Recitative and Aria: “Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!” (Leonore)

Fidelio, Opera in two acts, op. 72: Act I. Dialogue: “Fidelio! - Marzelline!” (Marzelline, Rocco, Leonore)

Fidelio, Opera in two acts, op. 72: Act I. No. 10 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben!” (Prisoners, First Prisoner, Second Prisoner)

Fidelio, Opera in two acts, op. 72: Act I. No. 10 Finale [Recitative and Duet]: “Nun sprecht, wie ging's? ... Noch heute, noch heute!” (Leonore, Rocco)

Fidelio, Opera in two acts, op. 72: Act I. No. 10 Finale [Szene]: “Ach, Vater, eilt!” (Marzelline, Rocco, Pizarro, Jaquino)

Fidelio, Opera in two acts, op. 72: Act I. No. 10 Finale: “Leb wohl, du warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco)

Fidelio, Opera in two acts, op. 72: Act II. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... ”

Fidelio, Opera in two acts, op. 72: Act II. No. 11 Introduction and Aria: “In des Lebens Frühlingstagen” (Florestan)

Fidelio, Opera in two acts, op. 72: Act II. No. 12 Melodrama and Duet: “Wie kalt ist es in diesem unterirdischen Gewölbe!” (Leonore, Rocco)

Fidelio, Opera in two acts, op. 72: Act II. No. 12 Melodrama and Duet: “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)

Fidelio, Opera in two acts, op. 72: Act II. Dialogue: “Er erwacht!” (Leonore, Rocco, Florestan)

Fidelio, Opera in two acts, op. 72: Act II. No. 13 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore)

Fidelio, Opera in two acts, op. 72: Act II. Dialogue: “Alles ist bereit” (Rocco, Florestan, Leonore, Pizarro)

Fidelio, Opera in two acts, op. 72: Act II. No. 14 Quartet: “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco) / Dialogue: “Vater Rocco!” (Jaquino, Rocco) / “Es schlägt der Rache Stunde” (Leonore, Florestan, Pizarro, Rocco)

Fidelio, Opera in two acts, op. 72: Act II. No. 15 Duet: “O namenlose Freude!” (Leonore, Florestan)

Fidelio, Opera in two acts, op. 72: Act II. Overture Leonore no. 3, op. 72a

Fidelio, Opera in two acts, op. 72: Act II. No. 16 Finale: “Heil sei dem Tag” (Prisoners and People)

Fidelio, Opera in two acts, op. 72: Act II. No. 16 Finale: “Des besten Königs Wink und Wille” (Fernando, Prisoners and People, Rocco, Pizarro, Leonore, Marzelline, Florestan)

Fidelio, Opera in two acts, op. 72: Act II. No. 16 Finale: “Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (All)

Fidelio, Opera in two acts, op. 72: Act II. No. 16 Finale: Curtain Calls - Final Credits

Titles

Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat, op. 60: II. Adagio

Symphony no. 4 in B-flat, op. 60: III. Allegro vivace

Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo

Titles

Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace

Symphony no. 7 in A, op. 92: II. Allegretto

Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto

Symphony no. 7 in A, op. 92: IV. Allegro con brio

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